Love for Love: A Comedy

Transcribed from the 1895 Methuen and Co. edition (_Comedies of William

Congreve_, _Volume_ 2) by David Price, email ccx074@.org

LOVE FOR LOVE

A COMEDY

_Nudus agris_, _nudus nummis paternis_,

_Insanire parat certa ratione modoque_.

—HOR.

TO THE RIGHT HONOURABLE

CHARLES, EARL OF DORSET AND MIDDLESEX,

LORD CHAMBERLAIN OF HIS MAJESTY’S HOUSEHOLD,

AND KNIGHT OF THE MOST NOBLE ORDER OF THE GARTER, ETC.

MY LORD,—A young poet is liable to the same vanity and indiscretion with

a young lover; and the great man who smiles upon one, and the fine woman

who looks kindly upon t’other, are both of ’em in danger of having the

favour published with the first opportunity.

But there may be a different motive, which will a little distinguish the

offenders. For though one should have a vanity in ruining another’s

reputation, yet the other may only have an ambition to advance his own.

And I beg leave, my lord, that I may plead the latter, both as the cause

and excuse of this dedication.

Whoever is king is also the father of his country; and as nobody can

dispute your lordship’s monarchy in poetry, so all that are concerned

ought to acknowledge your universal patronage. And it is only presuming

on the privilege of a loyal subject that I have ventured to make this, my

address of thanks, to your lordship, which at the same time includes a

prayer for your protection.

I am not ignorant of the common form of poetical dedications, which are

generally made up of panegyrics, where the authors endeavour to

distinguish their patrons, by the shining characters they give them,

above other men. But that, my lord, is not my business at this time, nor

is your lordship _now_ to be distinguished. I am contented with the

honour I do myself in this epistle without the vanity of attempting to

add to or explain your Lordships character.

I confess it is not without some struggling that I behave myself in this

case as I ought: for it is very hard to be pleased with a subject, and

yet forbear it. But I choose rather to follow Pliny’s precept, than his

example, when, in his panegyric to the Emperor Trajan, he says:—

_Nec minus considerabo quid aures ejus pati possint_, _quam quid

virtutibus debeatur_.

I hope I may be excused the pedantry of a quotation when it is so justly

applied. Here are some lines in the print (and which your lordship read

before this play was acted) that were omitted on the stage; and

particularly one whole scene in the third act, which not only helps the

design forward with less precipitation, but also heightens the ridiculous

character of Foresight, which indeed seems to be maimed without it. But

I found myself in great danger of a long play, and was glad to help it

where I could. Though notwithstanding my care and the kind reception it

had from the town, I could heartily wish it yet shorter: but the number

of different characters represented in it would have been too much

crowded in less room.

This reflection on prolixity (a fault for which scarce any one beauty

will atone) warns me not to be tedious now, and detain your lordship any

longer with the trifles of, my lord, your lordship’s most obedient and

most humble servant,

WILLIAM CONGREVE.

PROLOGUE.

Spoken, at the opening of the new house, by Mr. BETTERTON.

THE husbandman in vain renews his toil

To cultivate each year a hungry soil;

And fondly hopes for rich and generous fruit,

When what should feed the tree devours the root;

Th’ unladen boughs, he sees, bode certain dearth,

Unless transplanted to more kindly earth.

So the poor husbands of the stage, who found

Their labours lost upon ungrateful ground,

This last and only remedy have proved,

And hope new fruit from ancient stocks removed.

Well may they hope, when you so kindly aid,

Well plant a soil which you so rich have made.

As Nature gave the world to man’s first age,

So from your bounty, we receive this stage;

The freedom man was born to, you’ve restored,

And to our world such plenty you afford,

It seems like Eden, fruitful of its own accord.

But since in Paradise frail flesh gave way,

And when but two were made, both went astray;

Forbear your wonder, and the fault forgive,

If in our larger family we grieve

One falling Adam and one tempted Eve.

We who remain would gratefully repay

What our endeavours can, and bring this day

The first-fruit offering of a virgin play.

We hope there’s something that may please each taste,

And though of homely fare we make the feast,

Yet you will find variety at least.

There’s humour, which for cheerful friends we got,

And for the thinking party there’s a plot.

We’ve something, too, to gratify ill-nature,

(If there be any here), and that is satire.

Though satire scarce dares grin, ’tis grown so mild

Or only shows its teeth, as if it smiled.

As asses thistles, poets mumble wit,

And dare not bite for fear of being bit:

They hold their pens, as swords are held by fools,

And are afraid to use their own edge-tools.

Since the Plain-Dealer’s scenes of manly rage,

Not one has dared to lash this crying age.

This time, the poet owns the bold essay,

Yet hopes there’s no ill-manners in his play;

And he declares, by me, he has designed

Affront to none, but frankly speaks his mind.

And should th’ ensuing scenes not chance to hit,

He offers but this one excuse, ’twas writ

Before your late encouragement of wit.

EPILOGUE.

Spoken, at the opening of the new house, by Mrs. BRACEGIRDLE.

SURE Providence at first designed this place

To be the player’s refuge in distress;

For still in every storm they all run hither,

As to a shed that shields ’em from the weather.

But thinking of this change which last befel us,

It’s like what I have heard our poets tell us:

For when behind our scenes their suits are pleading,

To help their love, sometimes they show their reading;

And, wanting ready cash to pay for hearts,

They top their learning on us, and their parts.

Once of philosophers they told us stories,

Whom, as I think, they called—Py—Pythagories,

I’m sure ’tis some such Latin name they give ’em,

And we, who know no better, must believe ’em.

Now to these men, say they, such souls were given,

That after death ne’er went to hell nor heaven,

But lived, I know not how, in beasts; and then

When many years were past, in men again.

Methinks, we players resemble such a soul,

That does from bodies, we from houses stroll.

Thus Aristotle’s soul, of old that was,

May now be damned to animate an ass,

Or in this very house, for ought we know,

Is doing painful penance in some beau;

And thus our audience, which did once resort

To shining theatres to see our sport,

Now find us tossed into a tennis-court.

These walls but t’other day were filled with noise

Of roaring gamesters and your dam’me boys;

Then bounding balls and rackets they encompast,

And now they’re filled with jests, and flights, and bombast!

I vow, I don’t much like this transmigration,

Strolling from place to place by circulation;

Grant heaven, we don’t return to our first station!

I know not what these think, but for my part

I can’t reflect without an aching heart,

How we should end in our original, a cart.

But we can’t fear, since you’re so good to save us,

That you have only set us up, to leave us.

Thus from the past we hope for future grace,

I beg it—

And some here know I have a begging face.

Then pray continue this your kind behaviour,

For a clear stage won’t do, without your favour.

DRAMATIS PERSONÆ.

MEN.

SIR SAMPSON LEGEND, father to Valentine and _Mr. Underhill_.

Ben,

VALENTINE, fallen under his father’s _Mr. Betterton_.

displeasure by his expensive way of living, in

love with Angelica,

SCANDAL, his friend, a free speaker, _Mr. Smith_.

TATTLE, a half-witted beau, vain of his _Mr. Bowman_.

amours, yet valuing himself for secrecy,

BEN, Sir Sampson’s younger son, half home-bred _Mr. Dogget_.

and half sea-bred, designed to marry Miss

Prue,

FORESIGHT, an illiterate old fellow, peevish _Mr. Sanford_.

and positive, superstitious, and pretending to

understand astrology, palmistry, physiognomy,

omens, dreams, etc.; uncle to Angelica,

JEREMY, servant to Valentine, _Mr. Bowen_.

TRAPLAND, a scrivener, _Mr. Triffusis_.

BUCKRAM, a lawyer, _Mr. Freeman_.

WOMEN.

ANGELICA, niece to Foresight, of a _Mrs. Bracegirdle_.

considerable fortune in her own hands,

MRS. FORESIGHT, second wife to Foresight, _Mrs. Bowman_.

MRS. FRAIL, sister to Mrs. Foresight, a woman _Mrs. Barry_.

of the town,

MISS PRUE, daughter to Foresight by a former _Mrs. Ayliff_.

wife, a silly, awkward country girl,

NURSE to MISS, _Mrs. Leigh_.

JENNY, _Mrs. Lawson_.

A STEWARD, OFFICERS, SAILORS, AND SEVERAL SERVANTS.

The Scene in London.

ACT I.—SCENE I.

VALENTINE _in his chamber reading_. JEREMY _waiting_.

_Several books upon the table_.

VAL. Jeremy.

JERE. Sir?

VAL. Here, take away. I’ll walk a turn and digest what I have read.

JERE. You’ll grow devilish fat upon this paper diet. [_Aside_, _and

taking away the books_.]

VAL. And d’ye hear, go you to breakfast. There’s a page doubled down in

Epictetus, that is a feast for an emperor.

JERE. Was Epictetus a real cook, or did he only write receipts?

VAL. Read, read, sirrah, and refine your appetite; learn to live upon

instruction; feast your mind and mortify your flesh; read, and take your

nourishment in at your eyes; shut up your mouth, and chew the cud of

understanding. So Epictetus advises.

JERE. O Lord! I have heard much of him, when I waited upon a gentleman

at Cambridge. Pray what was that Epictetus?

VAL. A very rich man.—Not worth a groat.

JERE. Humph, and so he has made a very fine feast, where there is

nothing to be eaten?

VAL. Yes.

JERE. Sir, you’re a gentleman, and probably understand this fine

feeding: but if you please, I had rather be at board wages. Does your

Epictetus, or your Seneca here, or any of these poor rich rogues, teach

you how to pay your debts without money? Will they shut up the mouths of

your creditors? Will Plato be bail for you? Or Diogenes, because he

understands confinement, and lived in a tub, go to prison for you?

’Slife, sir, what do you mean, to mew yourself up here with three or four

musty books, in commendation of starving and poverty?

VAL. Why, sirrah, I have no money, you know it; and therefore resolve to

rail at all that have. And in that I but follow the examples of the

wisest and wittiest men in all ages, these poets and philosophers whom

you naturally hate, for just such another reason; because they abound in

sense, and you are a fool.

JERE. Ay, sir, I am a fool, I know it: and yet, heaven help me, I’m poor

enough to be a wit. But I was always a fool when I told you what your

expenses would bring you to; your coaches and your liveries; your treats

and your balls; your being in love with a lady that did not care a

farthing for you in your prosperity; and keeping company with wits that

cared for nothing but your prosperity; and now, when you are poor, hate

you as much as they do one another.

VAL. Well, and now I am poor I have an opportunity to be revenged on

them all. I’ll pursue Angelica with more love than ever, and appear more

notoriously her admirer in this restraint, than when I openly rivalled

the rich fops that made court to her. So shall my poverty be a

mortification to her pride, and, perhaps, make her compassionate the love

which has principally reduced me to this lowness of fortune. And for the

wits, I’m sure I am in a condition to be even with them.

JERE. Nay, your condition is pretty even with theirs, that’s the truth

on’t.

VAL. I’ll take some of their trade out of their hands.

JERE. Now heaven of mercy continue the tax upon paper. You don’t mean

to write?

VAL. Yes, I do. I’ll write a play.

JERE. Hem! Sir, if you please to give me a small certificate of three

lines—only to certify those whom it may concern, that the bearer hereof,

Jeremy Fetch by name, has for the space of seven years truly and

faithfully served Valentine Legend, Esq., and that he is not now turned

away for any misdemeanour, but does voluntarily dismiss his master from

any future authority over him—

VAL. No, sirrah; you shall live with me still.

JERE. Sir, it’s impossible. I may die with you, starve with you, or be

damned with your works. But to live, even three days, the life of a

play, I no more expect it than to be canonised for a muse after my

decease.

VAL. You are witty, you rogue. I shall want your help. I’ll have you

learn to make couplets to tag the ends of acts. D’ye hear? Get the

maids to Crambo in an evening, and learn the knack of rhyming: you may

arrive at the height of a song sent by an unknown hand, or a

chocolate-house lampoon.

JERE. But, sir, is this the way to recover your father’s favour? Why,

Sir Sampson will be irreconcilable. If your younger brother should come

from sea, he’d never look upon you again. You’re undone, sir; you’re

ruined; you won’t have a friend left in the world if you turn poet. Ah,

pox confound that Will’s coffee-house: it has ruined more young men than

the Royal Oak lottery. Nothing thrives that belongs to’t. The man of

the house would have been an alderman by this time, with half the trade,

if he had set up in the city. For my part, I never sit at the door that

I don’t get double the stomach that I do at a horse race. The air upon

Banstead-Downs is nothing to it for a whetter; yet I never see it, but

the spirit of famine appears to me, sometimes like a decayed porter, worn

out with pimping, and carrying _billet doux_ and songs: not like other

porters, for hire, but for the jests’ sake. Now like a thin chairman,

melted down to half his proportion, with carrying a poet upon tick, to

visit some great fortune; and his fare to be paid him like the wages of

sin, either at the day of marriage, or the day of death.

VAL. Very well, sir; can you proceed?

JERE. Sometimes like a bilked bookseller, with a meagre terrified

countenance, that looks as if he had written for himself, or were

resolved to turn author, and bring the rest of his brethren into the same

condition. And lastly, in the form of a worn-out punk, with verses in

her hand, which her vanity had preferred to settlements, without a whole

tatter to her tail, but as ragged as one of the muses; or as if she were

carrying her linen to the paper-mill, to be converted into folio books of

warning to all young maids, not to prefer poetry to good sense, or lying

in the arms of a needy wit, before the embraces of a wealthy fool.

SCENE II.

VALENTINE, SCANDAL, JEREMY.

SCAN. What, Jeremy holding forth?

VAL. The rogue has (with all the wit he could muster up) been declaiming

against wit.

SCAN. Ay? Why, then, I’m afraid Jeremy has wit: for wherever it is,

it’s always contriving its own ruin.

JERE. Why, so I have been telling my master, sir: Mr. Scandal, for

heaven’s sake, sir, try if you can dissuade him from turning poet.

SCAN. Poet! He shall turn soldier first, and rather depend upon the

outside of his head than the lining. Why, what the devil, has not your

poverty made you enemies enough? Must you needs shew your wit to get

more?

JERE. Ay, more indeed: for who cares for anybody that has more wit than

himself?

SCAN. Jeremy speaks like an oracle. Don’t you see how worthless great

men and dull rich rogues avoid a witty man of small fortune? Why, he

looks like a writ of enquiry into their titles and estates, and seems

commissioned by heaven to seize hte better half.

VAL. Therefore I would rail in my writings, and be revenged.

SCAN. Rail? At whom? The whole world? Impotent and vain! Who would

die a martyr to sense in a country where the religion is folly? You may

stand at bay for a while; but when the full cry is against you, you

shan’t have fair play for your life. If you can’t be fairly run down by

the hounds, you will be treacherously shot by the huntsmen. No, turn

pimp, flatterer, quack, lawyer, parson, be chaplain to an atheist, or

stallion to an old woman, anything but poet. A modern poet is worse,

more servile, timorous, and fawning, than any I have named: without you

could retrieve the ancient honours of the name, recall the stage of

Athens, and be allowed the force of open honest satire.

VAL. You are as inveterate against our poets as if your character had

been lately exposed upon the stage. Nay, I am not violently bent upon

the trade. [_One knocks_.] Jeremy, see who’s there. [JER. _goes to the

door_.] But tell me what you would have me do? What do the world say of

me, and my forced confinement?

SCAN. The world behaves itself as it uses to do on such occasions; some

pity you, and condemn your father; others excuse him, and blame you; only

the ladies are merciful, and wish you well, since love and pleasurable

expense have been your greatest faults.

VAL. How now?

JERE. Nothing new, sir; I have despatched some half a dozen duns with as

much dexterity as a hungry judge does causes at dinner-time.

VAL. What answer have you given ’em?

SCAN. Patience, I suppose, the old receipt.

JERE. No, faith, sir; I have put ’em off so long with patience and

forbearance, and other fair words, that I was forced now to tell ’em in

plain downright English—

VAL. What?

JERE. That they should be paid.

VAL. When?

JERE. To-morrow.

VAL. And how the devil do you mean to keep your word?

JERE. Keep it? Not at all; it has been so very much stretched that I

reckon it will break of course by to-morrow, and nobody be surprised at

the matter. [_Knocking_.] Again! Sir, if you don’t like my

negotiation, will you be pleased to answer these yourself?

VAL. See who they are.

SCENE III.

VALENTINE, SCANDAL.

VAL. By this, Scandal, you may see what it is to be great; secretaries

of state, presidents of the council, and generals of an army lead just

such a life as I do; have just such crowds of visitants in a morning, all

soliciting of past promises; which are but a civiller sort of duns, that

lay claim to voluntary debts.

SCAN. And you, like a true great man, having engaged their attendance,

and promised more than ever you intended to perform, are more perplexed

to find evasions than you would be to invent the honest means of keeping

your word, and gratifying your creditors.

VAL. Scandal, learn to spare your friends, and do not provoke your

enemies; this liberty of your tongue will one day bring a confinement on

your body, my friend.

SCENE IV.

VALENTINE, SCANDAL, JEREMY.

JERE. O sir, there’s Trapland the scrivener, with two suspicious fellows

like lawful pads, that would knock a man down with pocket-tipstaves. And

there’s your father’s steward, and the nurse with one of your children

from Twitnam.

VAL. Pox on her, could she find no other time to fling my sins in my

face? Here, give her this, [_gives money_] and bid her trouble me no

more; a thoughtless two-handed whore, she knows my condition well enough,

and might have overlaid the child a fortnight ago, if she had had any

forecast in her.

SCAN. What, is it bouncing Margery, with my godson?

JERE. Yes, sir.

SCAN. My blessing to the boy, with this token [_gives money_] of my

love. And d’ye hear, bid Margery put more flocks in her bed, shift twice

a week, and not work so hard, that she may not smell so vigorously. I

shall take the air shortly.

VAL. Scandal, don’t spoil my boy’s milk. Bid Trapland come in. If I

can give that Cerberus a sop, I shall be at rest for one day.

SCENE V.

VALENTINE, SCANDAL, TRAPLAND, JEREMY.

VAL. Oh, Mr. Trapland! My old friend! Welcome. Jeremy, a chair

quickly: a bottle of sack and a toast—fly—a chair first.

TRAP. A good morning to you, Mr. Valentine, and to you, Mr. Scandal.

SCAN. The morning’s a very good morning, if you don’t spoil it.

VAL. Come, sit you down, you know his way.

TRAP. [_sits_.] There is a debt, Mr. Valentine, of £1500 of pretty long

standing—

VAL. I cannot talk about business with a thirsty palate. Sirrah, the

sack.

TRAP. And I desire to know what course you have taken for the payment?

VAL. Faith and troth, I am heartily glad to see you. My service to you.

Fill, fill to honest Mr. Trapland—fuller.

TRAP. Hold, sweetheart: this is not to our business. My service to you,

Mr. Scandal. [_Drinks_.] I have forborne as long—

VAL. T’other glass, and then we’ll talk. Fill, Jeremy.

TRAP. No more, in truth. I have forborne, I say—

VAL. Sirrah, fill when I bid you. And how does your handsome daughter?

Come, a good husband to her. [_Drinks_.]

TRAP. Thank you. I have been out of this money—

VAL. Drink first. Scandal, why do you not drink? [_They drink_.]

TRAP. And, in short, I can be put off no longer.

VAL. I was much obliged to you for your supply. It did me signal

service in my necessity. But you delight in doing good. Scandal, drink

to me, my friend Trapland’s health. An honester man lives not, nor one

more ready to serve his friend in distress: though I say it to his face.

Come, fill each man his glass.

SCAN. What, I know Trapland has been a whoremaster, and loves a wench

still. You never knew a whoremaster that was not an honest fellow.

TRAP. Fie, Mr. Scandal, you never knew—

SCAN. What don’t I know? I know the buxom black widow in the Poultry.

£800 a year jointure, and £20,000 in money. Aha! old Trap.

VAL. Say you so, i’faith? Come, we’ll remember the widow. I know

whereabouts you are; come, to the widow—

TRAP. No more, indeed.

VAL. What, the widow’s health; give it him—off with it. [_They drink_.]

A lovely girl, i’faith, black sparkling eyes, soft pouting ruby lips!

Better sealing there than a bond for a million, ha?

TRAP. No, no, there’s no such thing; we’d better mind our business.

You’re a wag.

VAL. No, faith, we’ll mind the widow’s business: fill again. Pretty

round heaving breasts, a Barbary shape, and a jut with her bum would stir

an anchoret: and the prettiest foot! Oh, if a man could but fasten his

eyes to her feet as they steal in and out, and play at bo-peep under her

petticoats, ah! Mr. Trapland?

TRAP. Verily, give me a glass. You’re a wag,—and here’s to the widow.

[_Drinks_.]

SCAN. He begins to chuckle; ply him close, or he’ll relapse into a dun.

SCENE VI.

[_To them_] OFFICER.

OFF. By your leave, gentlemen: Mr. Trapland, if we must do our office,

tell us. We have half a dozen gentlemen to arrest in Pall Mall and

Covent Garden; and if we don’t make haste the chairmen will be abroad,

and block up the chocolate-houses, and then our labour’s lost.

TRAP. Udso that’s true: Mr. Valentine, I love mirth, but business must

be done. Are you ready to—

JERE. Sir, your father’s steward says he comes to make proposals

concerning your debts.

VAL. Bid him come in: Mr. Trapland, send away your officer; you shall

have an answer presently.

TRAP. Mr. Snap, stay within call.

SCENE VII.

VALENTINE, SCANDAL, TRAPLAND, JEREMY,

STEWARD _who whispers_ VALENTINE.

SCAN. Here’s a dog now, a traitor in his wine: sirrah, refund the

sack.—Jeremy, fetch him some warm water, or I’ll rip up his stomach, and

go the shortest way to his conscience.

TRAP. Mr. Scandal, you are uncivil; I did not value your sack; but you

cannot expect it again when I have drunk it.

SCAN. And how do you expect to have your money again when a gentleman

has spent it?

VAL. You need say no more, I understand the conditions; they are very

hard, but my necessity is very pressing: I agree to ’em. Take Mr.

Trapland with you, and let him draw the writing. Mr. Trapland, you know

this man: he shall satisfy you.

TRAP. Sincerely, I am loth to be thus pressing, but my necessity—

VAL. No apology, good Mr. Scrivener, you shall be paid.

TRAP. I hope you forgive me; my business requires—

SCENE VIII.

VALENTINE, SCANDAL.

SCAN. He begs pardon like a hangman at an execution.

VAL. But I have got a reprieve.

SCAN. I am surprised; what, does your father relent?

VAL. No; he has sent me the hardest conditions in the world. You have

heard of a booby brother of mine that was sent to sea three years ago?

This brother, my father hears, is landed; whereupon he very

affectionately sends me word; if I will make a deed of conveyance of my

right to his estate, after his death, to my younger brother, he will

immediately furnish me with four thousand pounds to pay my debts and make

my fortune. This was once proposed before, and I refused it; but the

present impatience of my creditors for their money, and my own impatience

of confinement, and absence from Angelica, force me to consent.

SCAN. A very desperate demonstration of your love to Angelica; and I

think she has never given you any assurance of hers.

VAL. You know her temper; she never gave me any great reason either for

hope or despair.

SCAN. Women of her airy temper, as they seldom think before they act, so

they rarely give us any light to guess at what they mean. But you have

little reason to believe that a woman of this age, who has had an

indifference for you in your prosperity, will fall in love with your

ill-fortune; besides, Angelica has a great fortune of her own; and great

fortunes either expect another great fortune, or a fool.

SCENE IX.

[_To them_] JEREMY.

JERE. More misfortunes, sir.

VAL. What, another dun?

JERE. No, sir, but Mr. Tattle is come to wait upon you.

VAL. Well, I can’t help it, you must bring him up; he knows I don’t go

abroad.

SCENE X.

VALENTINE, SCANDAL.

SCAN. Pox on him, I’ll be gone.

VAL. No, prithee stay: Tattle and you should never be asunder; you are

light and shadow, and show one another; he is perfectly thy reverse both

in humour and understanding; and as you set up for defamation, he is a

mender of reputations.

SCAN. A mender of reputations! Ay, just as he is a keeper of secrets,

another virtue that he sets up for in the same manner. For the rogue

will speak aloud in the posture of a whisper, and deny a woman’s name

while he gives you the marks of her person. He will forswear receiving a

letter from her, and at the same time show you her hand in the

superscription: and yet perhaps he has counterfeited the hand too, and

sworn to a truth; but he hopes not to be believed, and refuses the

reputation of a lady’s favour, as a Doctor says no to a Bishopric only

that it may be granted him. In short, he is public professor of secrecy,

and makes proclamation that he holds private intelligence.—He’s here.

SCENE XI.

[_To them_] TATTLE.

TATT. Valentine, good morrow; Scandal, I am yours:—that is, when you

speak well of me.

SCAN. That is, when I am yours; for while I am my own, or anybody’s

else, that will never happen.

TATT. How inhuman!

VAL. Why Tattle, you need not be much concerned at anything that he

says: for to converse with Scandal, is to play at losing loadum; you must

lose a good name to him before you can win it for yourself.

TATT. But how barbarous that is, and how unfortunate for him, that the

world shall think the better of any person for his calumniation! I thank

heaven, it has always been a part of my character to handle the

reputations of others very tenderly indeed.

SCAN. Ay, such rotten reputations as you have to deal with are to be

handled tenderly indeed.

TATT. Nay, but why rotten? Why should you say rotten, when you know not

the persons of whom you speak? How cruel that is!

SCAN. Not know ’em? Why, thou never had’st to do with anybody that did

not stink to all the town.

TATT. Ha, ha, ha; nay, now you make a jest of it indeed. For there is

nothing more known than that nobody knows anything of that nature of me.

As I hope to be saved, Valentine, I never exposed a woman, since I knew

what woman was.

VAL. And yet you have conversed with several.

TATT. To be free with you, I have. I don’t care if I own that. Nay

more (I’m going to say a bold word now) I never could meddle with a woman

that had to do with anybody else.

SCAN. How?

VAL. Nay faith, I’m apt to believe him. Except her husband, Tattle.

TATT. Oh, that—

SCAN. What think you of that noble commoner, Mrs. Drab?

TATT. Pooh, I know Madam Drab has made her brags in three or four

places, that I said this and that, and writ to her, and did I know not

what—but, upon my reputation, she did me wrong—well, well, that was

malice—but I know the bottom of it. She was bribed to that by one we all

know—a man too. Only to bring me into disgrace with a certain woman of

quality—

SCAN. Whom we all know.

TATT. No matter for that. Yes, yes, everybody knows. No doubt on’t,

everybody knows my secrets. But I soon satisfied the lady of my

innocence; for I told her: Madam, says I, there are some persons who make

it their business to tell stories, and say this and that of one and

t’other, and everything in the world; and, says I, if your grace—

SCAN. Grace!

TATT. O Lord, what have I said? My unlucky tongue!

VAL. Ha, ha, ha.

SCAN. Why, Tattle, thou hast more impudence than one can in reason

expect: I shall have an esteem for thee, well, and, ha, ha, ha, well, go

on, and what did you say to her grace?

VAL. I confess this is something extraordinary.

TATT. Not a word, as I hope to be saved; an errant _lapsus linguæ_.

Come, let’s talk of something else.

VAL. Well, but how did you acquit yourself?

TATT. Pooh, pooh, nothing at all; I only rallied with you—a woman of

ordinary rank was a little jealous of me, and I told her something or

other, faith I know not what.—Come, let’s talk of something else. [_Hums

a song_.]

SCAN. Hang him, let him alone, he has a mind we should enquire.

TATT. Valentine, I supped last night with your mistress, and her uncle,

old Foresight: I think your father lies at Foresight’s.

VAL. Yes.

TATT. Upon my soul, Angelica’s a fine woman. And so is Mrs. Foresight,

and her sister, Mrs. Frail.

SCAN. Yes, Mrs. Frail is a very fine woman, we all know her.

TATT. Oh, that is not fair.

SCAN. What?

TATT. To tell.

SCAN. To tell what? Why, what do you know of Mrs. Frail?

TATT. Who, I? Upon honour I don’t know whether she be man or woman, but

by the smoothness of her chin and roundness of her hips.

SCAN. No?

TATT. No.

SCAN. She says otherwise.

TATT. Impossible!

SCAN. Yes, faith. Ask Valentine else.

TATT. Why then, as I hope to be saved, I believe a woman only obliges a

man to secrecy that she may have the pleasure of telling herself.

SCAN. No doubt on’t. Well, but has she done you wrong, or no? You have

had her? Ha?

TATT. Though I have more honour than to tell first, I have more manners

than to contradict what a lady has declared.

SCAN. Well, you own it?

TATT. I am strangely surprised! Yes, yes, I can’t deny’t if she taxes

me with it.

SCAN. She’ll be here by and by, she sees Valentine every morning.

TATT. How?

VAL. She does me the favour, I mean, of a visit sometimes. I did not

think she had granted more to anybody.

SCAN. Nor I, faith. But Tattle does not use to bely a lady; it is

contrary to his character. How one may be deceived in a woman,

Valentine?

TATT. Nay, what do you mean, gentlemen?

SCAN. I’m resolved I’ll ask her.

TATT. O barbarous! Why did you not tell me?

SCAN. No; you told us.

TATT. And bid me ask Valentine?

VAL. What did I say? I hope you won’t bring me to confess an answer

when you never asked me the question?

TATT. But, gentlemen, this is the most inhuman proceeding—

VAL. Nay, if you have known Scandal thus long, and cannot avoid such a

palpable decoy as this was, the ladies have a fine time whose reputations

are in your keeping.

SCENE XII.

[_To them_] JEREMY.

JERE. Sir, Mrs. Frail has sent to know if you are stirring.

VAL. Show her up when she comes.

SCENE XIII.

VALENTINE, SCANDAL, TATTLE.

TATT. I’ll be gone.

VAL. You’ll meet her.

TATT. Is there not a back way?

VAL. If there were, you have more discretion than to give Scandal such

an advantage. Why, your running away will prove all that he can tell

her.

TATT. Scandal, you will not be so ungenerous. Oh, I shall lose my

reputation of secrecy for ever. I shall never be received but upon

public days, and my visits will never be admitted beyond a drawing-room.

I shall never see a bed-chamber again, never be locked in a closet, nor

run behind a screen, or under a table: never be distinguished among the

waiting-women by the name of trusty Mr. Tattle more. You will not be so

cruel?

VAL. Scandal, have pity on him; he’ll yield to any conditions.

TATT. Any, any terms.

SCAN. Come, then, sacrifice half a dozen women of good reputation to me

presently. Come, where are you familiar? And see that they are women of

quality, too—the first quality.

TATT. ’Tis very hard. Won’t a baronet’s lady pass?

SCAN. No, nothing under a right honourable.

TATT. Oh, inhuman! You don’t expect their names?

SCAN. No, their titles shall serve.

TATT. Alas, that’s the same thing. Pray spare me their titles. I’ll

describe their persons.

SCAN. Well, begin then; but take notice, if you are so ill a painter

that I cannot know the person by your picture of her, you must be

condemned, like other bad painters, to write the name at the bottom.

TATT. Well, first then—

SCENE XIV.

[_To them_] MRS. FRAIL.

TATT. Oh, unfortunate! She’s come already; will you have patience till

another time? I’ll double the number.

SCAN. Well, on that condition. Take heed you don’t fail me.

MRS. FRAIL. I shall get a fine reputation by coming to see fellows in a

morning. Scandal, you devil, are you here too? Oh, Mr. Tattle,

everything is safe with you, we know.

SCAN. Tattle—

TATT. Mum. O madam, you do me too much honour.

VAL. Well, Lady Galloper, how does Angelica?

MRS. FRAIL. Angelica? Manners!

VAL. What, you will allow an absent lover—

MRS. FRAIL. No, I’ll allow a lover present with his mistress to be

particular; but otherwise, I think his passion ought to give place to his

manners.

VAL. But what if he has more passion than manners?

MRS. FRAIL. Then let him marry and reform.

VAL. Marriage indeed may qualify the fury of his passion, but it very

rarely mends a man’s manners.

MRS. FRAIL. You are the most mistaken in the world; there is no creature

perfectly civil but a husband. For in a little time he grows only rude

to his wife, and that is the highest good breeding, for it begets his

civility to other people. Well, I’ll tell you news; but I suppose you

hear your brother Benjamin is landed? And my brother Foresight’s

daughter is come out of the country: I assure you, there’s a match talked

of by the old people. Well, if he be but as great a sea-beast as she is

a land-monster, we shall have a most amphibious breed. The progeny will

be all otters. He has been bred at sea, and she has never been out of

the country.

VAL. Pox take ’em, their conjunction bodes me no good, I’m sure.

MRS. FRAIL. Now you talk of conjunction, my brother Foresight has cast

both their nativities, and prognosticates an admiral and an eminent

justice of the peace to be the issue male of their two bodies; ’tis the

most superstitious old fool! He would have persuaded me that this was an

unlucky day, and would not let me come abroad. But I invented a dream,

and sent him to Artimedorus for interpretation, and so stole out to see

you. Well, and what will you give me now? Come, I must have something.

VAL. Step into the next room, and I’ll give you something.

SCAN. Ay, we’ll all give you something.

MRS. FRAIL. Well, what will you all give me?

VAL. Mine’s a secret.

MRS. FRAIL. I thought you would give me something that would be a

trouble to you to keep.

VAL. And Scandal shall give you a good name.

MRS. FRAIL. That’s more than he has for himself. And what will you give

me, Mr. Tattle?

TATT. I? My soul, madam.

MRS. FRAIL. Pooh! No, I thank you, I have enough to do to take care of

my own. Well, but I’ll come and see you one of these mornings. I hear

you have a great many pictures.

TATT. I have a pretty good collection, at your service, some originals.

SCAN. Hang him, he has nothing but the Seasons and the Twelve

Cæsars—paltry copies—and the Five Senses, as ill-represented as they are

in himself, and he himself is the only original you will see there.

MRS. FRAIL. Ay, but I hear he has a closet of beauties.

SCAN. Yes; all that have done him favours, if you will believe him.

MRS. FRAIL. Ay, let me see those, Mr. Tattle.

TATT. Oh, madam, those are sacred to love and contemplation. No man but

the painter and myself was ever blest with the sight.

MRS. FRAIL. Well, but a woman—

TATT. Nor woman, till she consented to have her picture there too—for

then she’s obliged to keep the secret.

SCAN. No, no; come to me if you’d see pictures.

MRS. FRAIL. You?

SCAN. Yes, faith; I can shew you your own picture, and most of your

acquaintance to the life, and as like as at Kneller’s.

MRS. FRAIL. O lying creature! Valentine, does not he lie? I can’t

believe a word he says.

VAL. No indeed, he speaks truth now. For as Tattle has pictures of all

that have granted him favours, he has the pictures of all that have

refused him: if satires, descriptions, characters, and lampoons are

pictures.

SCAN. Yes; mine are most in black and white. And yet there are some set

out in their true colours, both men and women. I can shew you pride,

folly, affectation, wantonness, inconstancy, covetousness, dissimulation,

malice and ignorance, all in one piece. Then I can shew you lying,

foppery, vanity, cowardice, bragging, lechery, impotence, and ugliness in

another piece; and yet one of these is a celebrated beauty, and t’other a

professed beau. I have paintings too, some pleasant enough.

MRS. FRAIL. Come, let’s hear ’em.

SCAN. Why, I have a beau in a _bagnio_, cupping for a complexion, and

sweating for a shape.

MRS. FRAIL. So.

SCAN. Then I have a lady burning brandy in a cellar with a hackney

coachman.

MRS. FRAIL. O devil! Well, but that story is not true.

SCAN. I have some hieroglyphics too; I have a lawyer with a hundred

hands, two heads, and but one face; a divine with two faces, and one

head; and I have a soldier with his brains in his belly, and his heart

where his head should be.

MRS. FRAIL. And no head?

SCAN. No head.

MRS. FRAIL. Pooh, this is all invention. Have you never a poet?

SCAN. Yes, I have a poet weighing words, and selling praise for praise,

and a critic picking his pocket. I have another large piece too,

representing a school, where there are huge proportioned critics, with

long wigs, laced coats, Steinkirk cravats, and terrible faces; with

cat-calls in their hands, and horn-books about their necks. I have many

more of this kind, very well painted, as you shall see.

MRS. FRAIL. Well, I’ll come, if it be but to disprove you.

SCENE XIV.

[_To them_] JEREMY.

JERE. Sir, here’s the steward again from your father.

VAL. I’ll come to him—will you give me leave? I’ll wait on you again

presently.

MRS. FRAIL. No; I’ll be gone. Come, who squires me to the Exchange? I

must call my sister Foresight there.

SCAN. I will: I have a mind to your sister.

MRS. FRAIL. Civil!

TATT. I will: because I have a tendre for your ladyship.

MRS. FRAIL. That’s somewhat the better reason, to my opinion.

SCAN. Well, if Tattle entertains you, I have the better opportunity to

engage your sister.

VAL. Tell Angelica I am about making hard conditions to come abroad, and

be at liberty to see her.

SCAN. I’ll give an account of you and your proceedings. If indiscretion

be a sign of love, you are the most a lover of anybody that I know: you

fancy that parting with your estate will help you to your mistress. In

my mind he is a thoughtless adventurer

Who hopes to purchase wealth by selling land;

Or win a mistress with a losing hand.

ACT II.—SCENE I.

_A room in_ FORESIGHT’S _house_.

FORESIGHT _and_ SERVANT.

FORE. Hey day! What, are all the women of my family abroad? Is not my

wife come home? Nor my sister, nor my daughter?

SERV. No, sir.

FORE. Mercy on us, what can be the meaning of it? Sure the moon is in

all her fortitudes. Is my niece Angelica at home?

SERV. Yes, sir.

FORE. I believe you lie, sir.

SERV. Sir?

FORE. I say you lie, sir. It is impossible that anything should be as I

would have it; for I was born, sir, when the crab was ascending, and all

my affairs go backward.

SERV. I can’t tell indeed, sir.

FORE. No, I know you can’t, sir: but I can tell, and foretell, sir.

SCENE II.

[_To them_] NURSE.

FORE. Nurse, where’s your young mistress?

NURSE. Wee’st heart, I know not, they’re none of ’em come home yet.

Poor child, I warrant she’s fond o’ seeing the town. Marry, pray heaven

they ha’ given her any dinner. Good lack-a-day, ha, ha, ha, Oh, strange!

I’ll vow and swear now, ha, ha, ha, marry, and did you ever see the like!

FORE. Why, how now, what’s the matter?

NURSE. Pray heaven send your worship good luck, marry, and amen with all

my heart, for you have put on one stocking with the wrong side outward.

FORE. Ha, how? Faith and troth I’m glad of it; and so I have: that may

be good luck in troth, in troth it may, very good luck. Nay, I have had

some omens: I got out of bed backwards too this morning, without

premeditation; pretty good that too; but then I stumbled coming down

stairs, and met a weasel; bad omens those: some bad, some good, our lives

are chequered. Mirth and sorrow, want and plenty, night and day, make up

our time. But in troth I am pleased at my stocking; very well pleased at

my stocking. Oh, here’s my niece! Sirrah, go tell Sir Sampson Legend

I’ll wait on him if he’s at leisure:—’tis now three o’clock, a very good

hour for business: Mercury governs this hour.

SCENE III.

ANGELICA, FORESIGHT, NURSE.

ANG. Is it not a good hour for pleasure too, uncle? Pray lend me your

coach; mine’s out of order.

FORE. What, would you be gadding too? Sure, all females are mad to-day.

It is of evil portent, and bodes mischief to the master of a family. I

remember an old prophecy written by Messahalah the Arabian, and thus

translated by a reverend Buckinghamshire bard:—

‘When housewives all the house forsake,

And leave goodman to brew and bake,

Withouten guile, then be it said,

That house doth stand upon its head;

And when the head is set in grond,

Ne marl, if it be fruitful fond.’

Fruitful, the head fruitful, that bodes horns; the fruit of the head is

horns. Dear niece, stay at home—for by the head of the house is meant

the husband; the prophecy needs no explanation.

ANG. Well, but I can neither make you a cuckold, uncle, by going abroad,

nor secure you from being one by staying at home.

FORE. Yes, yes; while there’s one woman left, the prophecy is not in

full force.

ANG. But my inclinations are in force; I have a mind to go abroad, and

if you won’t lend me your coach, I’ll take a hackney or a chair, and

leave you to erect a scheme, and find who’s in conjunction with your

wife. Why don’t you keep her at home, if you’re jealous of her when

she’s abroad? You know my aunt is a little retrograde (as you call it)

in her nature. Uncle, I’m afraid you are not lord of the ascendant, ha,

ha, ha!

FORE. Well, Jill-flirt, you are very pert, and always ridiculing that

celestial science.

ANG. Nay, uncle, don’t be angry—if you are, I’ll reap up all your false

prophecies, ridiculous dreams, and idle divinations. I’ll swear you are

a nuisance to the neighbourhood. What a bustle did you keep against the

last invisible eclipse, laying in provision as ’twere for a siege. What

a world of fire and candle, matches and tinder-boxes did you purchase!

One would have thought we were ever after to live under ground, or at

least making a voyage to Greenland, to inhabit there all the dark season.

FORE. Why, you malapert slut—

ANG. Will you lend me your coach, or I’ll go on—nay, I’ll declare how

you prophesied popery was coming only because the butler had mislaid some

of the apostle spoons, and thought they were lost. Away went religion

and spoon-meat together. Indeed, uncle, I’ll indite you for a wizard.

FORE. How, hussy! Was there ever such a provoking minx?

NURSE. O merciful father, how she talks!

ANG. Yes, I can make oath of your unlawful midnight practices, you and

the old nurse there—

NURSE. Marry, heaven defend! I at midnight practices? O Lord, what’s

here to do? I in unlawful doings with my master’s worship—why, did you

ever hear the like now? Sir, did ever I do anything of your midnight

concerns but warm your bed, and tuck you up, and set the candle and your

tobacco-box and your urinal by you, and now and then rub the soles of

your feet? O Lord, I!

ANG. Yes, I saw you together through the key-hole of the closet one

night, like Saul and the witch of Endor, turning the sieve and shears,

and pricking your thumbs, to write poor innocent servants’ names in

blood, about a little nutmeg grater which she had forgot in the

caudle-cup. Nay, I know something worse, if I would speak of it.

FORE. I defy you, hussy; but I’ll remember this, I’ll be revenged on

you, cockatrice. I’ll hamper you. You have your fortune in your own

hands, but I’ll find a way to make your lover, your prodigal spendthrift

gallant, Valentine, pay for all, I will.

ANG. Will you? I care not, but all shall out then. Look to it, nurse:

I can bring witness that you have a great unnatural teat under your left

arm, and he another; and that you suckle a young devil in the shape of a

tabby-cat, by turns, I can.

NURSE. A teat, a teat—I an unnatural teat! Oh, the false, slanderous

thing; feel, feel here, if I have anything but like another Christian.

[_Crying_.]

FORE. I will have patience, since it is the will of the stars I should

be thus tormented. This is the effect of the malicious conjunctions and

oppositions in the third house of my nativity; there the curse of kindred

was foretold. But I will have my doors locked up;—I’ll punish you: not a

man shall enter my house.

ANG. Do, uncle, lock ’em up quickly before my aunt come home. You’ll

have a letter for alimony to-morrow morning. But let me be gone first,

and then let no mankind come near the house, but converse with spirits

and the celestial signs, the bull and the ram and the goat. Bless me!

There are a great many horned beasts among the twelve signs, uncle. But

cuckolds go to heaven.

FORE. But there’s but one virgin among the twelve signs, spitfire, but

one virgin.

ANG. Nor there had not been that one, if she had had to do with anything

but astrologers, uncle. That makes my aunt go abroad.

FORE. How, how? Is that the reason? Come, you know something; tell me

and I’ll forgive you. Do, good niece. Come, you shall have my coach and

horses—faith and troth you shall. Does my wife complain? Come, I know

women tell one another. She is young and sanguine, has a wanton hazel

eye, and was born under Gemini, which may incline her to society. She

has a mole upon her lip, with a moist palm, and an open liberality on the

mount of Venus.

ANG. Ha, ha, ha!

FORE. Do you laugh? Well, gentlewoman, I’ll—but come, be a good girl,

don’t perplex your poor uncle, tell me—won’t you speak? Odd, I’ll—

SCENE IV.

[_To them_] SERVANT.

SERV. Sir Sampson is coming down to wait upon you.

ANG. Good-bye, uncle—call me a chair. I’ll find out my aunt, and tell

her she must not come home.

FORE. I’m so perplexed and vexed, I’m not fit to receive him; I shall

scarce recover myself before the hour be past. Go nurse, tell Sir

Sampson I’m ready to wait on him.

NURSE. Yes, sir,

FORE. Well—why, if I was born to be a cuckold, there’s no more to be

said—he’s here already.

SCENE V.

FORESIGHT, _and_ SIR SAMPSON LEGEND _with a paper_.

SIR SAMP. Nor no more to be done, old boy; that’s plain—here ’tis, I

have it in my hand, old Ptolomey, I’ll make the ungracious prodigal know

who begat him; I will, old Nostrodamus. What, I warrant my son thought

nothing belonged to a father but forgiveness and affection; no authority,

no correction, no arbitrary power; nothing to be done, but for him to

offend and me to pardon. I warrant you, if he danced till doomsday he

thought I was to pay the piper. Well, but here it is under black and

white, _signatum_, _sigillatum_, and _deliberatum_; that as soon as my

son Benjamin is arrived, he’s to make over to him his right of

inheritance. Where’s my daughter that is to be?—Hah! old Merlin! body o’

me, I’m so glad I’m revenged on this undutiful rogue.

FORE. Odso, let me see; let me see the paper. Ay, faith and troth, here

’tis, if it will but hold. I wish things were done, and the conveyance

made. When was this signed, what hour? Odso, you should have consulted

me for the time. Well, but we’ll make haste—

SIR SAMP. Haste, ay, ay; haste enough. My son Ben will be in town

to-night. I have ordered my lawyer to draw up writings of settlement and

jointure—all shall be done to-night. No matter for the time; prithee,

brother Foresight, leave superstition. Pox o’ the time; there’s no time

but the time present, there’s no more to be said of what’s past, and all

that is to come will happen. If the sun shine by day, and the stars by

night, why, we shall know one another’s faces without the help of a

candle, and that’s all the stars are good for.

FORE. How, how? Sir Sampson, that all? Give me leave to contradict

you, and tell you you are ignorant.

SIR SAMP. I tell you I am wise; and _sapiens dominabitur astris_;

there’s Latin for you to prove it, and an argument to confound your

Ephemeris.—Ignorant! I tell you, I have travelled old Fircu, and know

the globe. I have seen the antipodes, where the sun rises at midnight,

and sets at noon-day.

FORE. But I tell you, I have travelled, and travelled in the celestial

spheres, know the signs and the planets, and their houses. Can judge of

motions direct and retrograde, of sextiles, quadrates, trines and

oppositions, fiery-trigons and aquatical-trigons. Know whether life

shall be long or short, happy or unhappy, whether diseases are curable or

incurable. If journeys shall be prosperous, undertakings successful, or

goods stolen recovered; I know—

SIR SAMP. I know the length of the Emperor of China’s foot; have kissed

the Great Mogul’s slippers, and rid a-hunting upon an elephant with a

Cham of Tartary. Body o’ me, I have made a cuckold of a king, and the

present majesty of Bantam is the issue of these loins.

FORE. I know when travellers lie or speak truth, when they don’t know it

themselves.

SIR SAMP. I have known an astrologer made a cuckold in the twinkling of

a star; and seen a conjurer that could not keep the devil out of his

wife’s circle.

FORE. What, does he twit me with my wife too? I must be better informed

of this. [_Aside_.] Do you mean my wife, Sir Sampson? Though you made

a cuckold of the king of Bantam, yet by the body of the sun—

SIR SAMP. By the horns of the moon, you would say, brother Capricorn.

FORE. Capricorn in your teeth, thou modern Mandeville; Ferdinand Mendez

Pinto was but a type of thee, thou liar of the first magnitude. Take

back your paper of inheritance; send your son to sea again. I’ll wed my

daughter to an Egyptian mummy, e’er she shall incorporate with a

contemner of sciences, and a defamer of virtue.

SIR SAMP. Body o’ me, I have gone too far; I must not provoke honest

Albumazar:—an Egyptian mummy is an illustrious creature, my trusty

hieroglyphic; and may have significations of futurity about him; odsbud,

I would my son were an Egyptian mummy for thy sake. What, thou art not

angry for a jest, my good Haly? I reverence the sun, moon and stars with

all my heart. What, I’ll make thee a present of a mummy: now I think

on’t, body o’ me, I have a shoulder of an Egyptian king that I purloined

from one of the pyramids, powdered with hieroglyphics, thou shalt have it

brought home to thy house, and make an entertainment for all the

philomaths, and students in physic and astrology in and about London.

FORE. But what do you know of my wife, Sir Sampson?

SIR SAMP. Thy wife is a constellation of virtues; she’s the moon, and

thou art the man in the moon. Nay, she is more illustrious than the

moon; for she has her chastity without her inconstancy: ’sbud I was but

in jest.

SCENE VI.

[_To them_] JEREMY.

SIR SAMP. How now, who sent for you? Ha! What would you have?

FORE. Nay, if you were but in jest—who’s that fellow? I don’t like his

physiognomy.

SIR SAMP. My son, sir; what son, sir? My son Benjamin, hoh?

JERE. No, sir, Mr. Valentine, my master; ’tis the first time he has been

abroad since his confinement, and he comes to pay his duty to you.

SIR SAMP. Well, sir.

SCENE VII.

FORESIGHT, SIR SAMPSON, VALENTINE, JEREMY.

JERE. He is here, sir.

VAL. Your blessing, sir.

SIR SAMP. You’ve had it already, sir; I think I sent it you to-day in a

bill of four thousand pound: a great deal of money, brother Foresight.

FORE. Ay, indeed, Sir Sampson, a great deal of money for a young man; I

wonder what he can do with it!

SIR SAMP. Body o’ me, so do I. Hark ye, Valentine, if there be too

much, refund the superfluity; dost hear, boy?

VAL. Superfluity, sir? It will scarce pay my debts. I hope you will

have more indulgence than to oblige me to those hard conditions which my

necessity signed to.

SIR SAMP. Sir, how, I beseech you, what were you pleased to intimate,

concerning indulgence?

VAL. Why, sir, that you would not go to the extremity of the conditions,

but release me at least from some part.

SIR SAMP. Oh, sir, I understand you—that’s all, ha?

VAL. Yes, sir, all that I presume to ask. But what you, out of fatherly

fondness, will be pleased to add, shall be doubly welcome.

SIR SAMP. No doubt of it, sweet sir; but your filial piety, and my

fatherly fondness would fit like two tallies. Here’s a rogue, brother

Foresight, makes a bargain under hand and seal in the morning, and would

be released from it in the afternoon; here’s a rogue, dog, here’s

conscience and honesty; this is your wit now, this is the morality of

your wits! You are a wit, and have been a beau, and may be a—why sirrah,

is it not here under hand and seal—can you deny it?

VAL. Sir, I don’t deny it.

SIR SAMP. Sirrah, you’ll be hanged; I shall live to see you go up

Holborn Hill. Has he not a rogue’s face? Speak brother, you understand

physiognomy, a hanging look to me—of all my boys the most unlike me; he

has a damned Tyburn face, without the benefit o’ the clergy.

FORE. Hum—truly I don’t care to discourage a young man,—he has a violent

death in his face; but I hope no danger of hanging.

VAL. Sir, is this usage for your son?—For that old weather-headed fool,

I know how to laugh at him; but you, sir—

SIR SAMP. You, sir; and you, sir: why, who are you, sir?

VAL. Your son, sir.

SIR SAMP. That’s more than I know, sir, and I believe not.

VAL. Faith, I hope not.

SIR SAMP. What, would you have your mother a whore? Did you ever hear

the like? Did you ever hear the like? Body o’ me—

VAL. I would have an excuse for your barbarity and unnatural usage.

SIR SAMP. Excuse! Impudence! Why, sirrah, mayn’t I do what I please?

Are not you my slave? Did not I beget you? And might not I have chosen

whether I would have begot you or no? ’Oons, who are you? Whence came

you? What brought you into the world? How came you here, sir? Here, to

stand here, upon those two legs, and look erect with that audacious face,

ha? Answer me that! Did you come a volunteer into the world? Or did I,

with the lawful authority of a parent, press you to the service?

VAL. I know no more why I came than you do why you called me. But here

I am, and if you don’t mean to provide for me, I desire you would leave

me as you found me.

SIR SAMP. With all my heart: come, uncase, strip, and go naked out of

the world as you came into ’t.

VAL. My clothes are soon put off. But you must also divest me of

reason, thought, passions, inclinations, affections, appetites, senses,

and the huge train of attendants that you begot along with me.

SIR SAMP. Body o’ me, what a manyheaded monster have I propagated!

VAL. I am of myself, a plain, easy, simple creature, and to be kept at

small expense; but the retinue that you gave me are craving and

invincible; they are so many devils that you have raised, and will have

employment.

SIR SAMP. ’Oons, what had I to do to get children,—can’t a private man

be born without all these followers? Why, nothing under an emperor

should be born with appetites. Why, at this rate, a fellow that has but

a groat in his pocket may have a stomach capable of a ten shilling

ordinary.

JERE. Nay, that’s as clear as the sun; I’ll make oath of it before any

justice in Middlesex.

SIR SAMP. Here’s a cormorant too. ’S’heart this fellow was not born

with you? I did not beget him, did I?

JERE. By the provision that’s made for me, you might have begot me too.

Nay, and to tell your worship another truth, I believe you did, for I

find I was born with those same whoreson appetites too, that my master

speaks of.

SIR SAMP. Why, look you there, now. I’ll maintain it, that by the rule

of right reason, this fellow ought to have been born without a palate.

’S’heart, what should he do with a distinguishing taste? I warrant now

he’d rather eat a pheasant, than a piece of poor John; and smell, now,

why I warrant he can smell, and loves perfumes above a stink. Why

there’s it; and music, don’t you love music, scoundrel?

JERE. Yes; I have a reasonable good ear, sir, as to jigs and country

dances, and the like; I don’t much matter your solos or sonatas, they

give me the spleen.

SIR SAMP. The spleen, ha, ha, ha; a pox confound you—solos or sonatas?

’Oons, whose son are you? How were you engendered, muckworm?

JERE. I am by my father, the son of a chair-man; my mother sold oysters

in winter, and cucumbers in summer; and I came upstairs into the world;

for I was born in a cellar.

FORE. By your looks, you should go upstairs out of the world too,

friend.

SIR SAMP. And if this rogue were anatomized now, and dissected, he has

his vessels of digestion and concoction, and so forth, large enough for

the inside of a cardinal, this son of a cucumber.—These things are

unaccountable and unreasonable. Body o’ me, why was not I a bear, that

my cubs might have lived upon sucking their paws? Nature has been

provident only to bears and spiders; the one has its nutriment in his own

hands; and t’other spins his habitation out of his own entrails.

VAL. Fortune was provident enough to supply all the necessities of my

nature, if I had my right of inheritance.

SIR SAMP. Again! ’Oons, han’t you four thousand pounds? If I had it

again, I would not give thee a groat.—What, would’st thou have me turn

pelican, and feed thee out of my own vitals? S’heart, live by your wits:

you were always fond of the wits, now let’s see, if you have wit enough

to keep yourself. Your brother will be in town to-night or to-morrow

morning, and then look you perform covenants, and so your friend and

servant:—come, brother Foresight.

SCENE VIII.

VALENTINE, JEREMY.

JERE. I told you what your visit would come to.

VAL. ’Tis as much as I expected. I did not come to see him, I came to

see Angelica: but since she was gone abroad, it was easily turned another

way, and at least looked well on my side. What’s here? Mrs. Foresight

and Mrs. Frail, they are earnest. I’ll avoid ’em. Come this way, and go

and enquire when Angelica will return.

SCENE IX.

MRS. FORESIGHT _and_ MRS. FRAIL.

MRS. FRAIL. What have you to do to watch me? ’S’life I’ll do what I

please.

MRS. FORE. You will?

MRS. FRAIL. Yes, marry will I. A great piece of business to go to

Covent Garden Square in a hackney coach, and take a turn with one’s

friend.

MRS. FORE. Nay, two or three turns, I’ll take my oath.

MRS. FRAIL. Well, what if I took twenty—I warrant if you had been there,

it had been only innocent recreation. Lord, where’s the comfort of this

life if we can’t have the happiness of conversing where we like?

MRS. FORE. But can’t you converse at home? I own it, I think there’s no

happiness like conversing with an agreeable man; I don’t quarrel at that,

nor I don’t think but your conversation was very innocent; but the place

is public, and to be seen with a man in a hackney coach is scandalous.

What if anybody else should have seen you alight, as I did? How can

anybody be happy while they’re in perpetual fear of being seen and

censured? Besides, it would not only reflect upon you, sister, but me.

MRS. FRAIL. Pooh, here’s a clutter: why should it reflect upon you? I

don’t doubt but you have thought yourself happy in a hackney coach before

now. If I had gone to Knight’s Bridge, or to Chelsea, or to Spring

Garden, or Barn Elms with a man alone, something might have been said.

MRS. FORE. Why, was I ever in any of those places? What do you mean,

sister?

MRS. FRAIL. Was I? What do you mean?

MRS. FORE. You have been at a worse place.

MRS. FRAIL. I at a worse place, and with a man!

MRS. FORE. I suppose you would not go alone to the World’s End.

MRS. FRAIL. The World’s End! What, do you mean to banter me?

MRS. FORE. Poor innocent! You don’t know that there’s a place called

the World’s End? I’ll swear you can keep your countenance purely: you’d

make an admirable player.

MRS. FRAIL. I’ll swear you have a great deal of confidence, and in my

mind too much for the stage.

MRS. FORE. Very well, that will appear who has most; you never were at

the World’s End?

MRS. FRAIL. No.

MRS. FORE. You deny it positively to my face?

MRS. FRAIL. Your face, what’s your face?

MRS. FORE. No matter for that, it’s as good a face as yours.

MRS. FRAIL. Not by a dozen years’ wearing. But I do deny it positively

to your face, then.

MRS. FORE. I’ll allow you now to find fault with my face; for I’ll swear

your impudence has put me out of countenance. But look you here now,

where did you lose this gold bodkin? Oh, sister, sister!

MRS. FRAIL. My bodkin!

MRS. FORE. Nay, ’tis yours, look at it.

MRS. FRAIL. Well, if you go to that, where did you find this bodkin?

Oh, sister, sister! Sister every way.

MRS. FORE. Oh, devil on’t, that I could not discover her without

betraying myself. [_Aside_.]

MRS. FRAIL. I have heard gentlemen say, sister, that one should take

great care, when one makes a thrust in fencing, not to lie open oneself.

MRS. FORE. It’s very true, sister. Well, since all’s out, and as you

say, since we are both wounded, let us do what is often done in duels,

take care of one another, and grow better friends than before.

MRS. FRAIL. With all my heart: ours are but slight flesh wounds, and if

we keep ’em from air, not at all dangerous. Well, give me your hand in

token of sisterly secrecy and affection.

MRS. FORE. Here ’tis, with all my heart.

MRS. FRAIL. Well, as an earnest of friendship and confidence, I’ll

acquaint you with a design that I have. To tell truth, and speak openly

one to another, I’m afraid the world have observed us more than we have

observed one another. You have a rich husband, and are provided for. I

am at a loss, and have no great stock either of fortune or reputation,

and therefore must look sharply about me. Sir Sampson has a son that is

expected to-night, and by the account I have heard of his education, can

be no conjurer. The estate you know is to be made over to him. Now if I

could wheedle him, sister, ha? You understand me?

MRS. FORE. I do, and will help you to the utmost of my power. And I can

tell you one thing that falls out luckily enough; my awkward

daughter-in-law, who you know is designed to be his wife, is grown fond

of Mr. Tattle; now if we can improve that, and make her have an aversion

for the booby, it may go a great way towards his liking you. Here they

come together; and let us contrive some way or other to leave ’em

together.

SCENE X.

[_To them_] TATTLE _and_ MISS PRUE.

MISS. Mother, mother, mother, look you here!

MRS. FORE. Fie, fie, Miss, how you bawl! Besides, I have told you, you

must not call me mother.

MISS. What must I call you then, are you not my father’s wife?

MRS. FORE. Madam; you must say madam. By my soul, I shall fancy myself

old indeed to have this great girl call me mother. Well, but Miss, what

are you so overjoyed at?

MISS. Look you here, madam, then, what Mr. Tattle has given me. Look

you here, cousin, here’s a snuff-box; nay, there’s snuff in’t. Here,

will you have any? Oh, good! How sweet it is. Mr. Tattle is all over

sweet, his peruke is sweet, and his gloves are sweet, and his

handkerchief is sweet, pure sweet, sweeter than roses. Smell him,

mother—madam, I mean. He gave me this ring for a kiss.

TATT. O fie, Miss, you must not kiss and tell.

MISS. Yes; I may tell my mother. And he says he’ll give me something to

make me smell so. Oh, pray lend me your handkerchief. Smell, cousin; he

says he’ll give me something that will make my smocks smell this way. Is

not it pure? It’s better than lavender, mun. I’m resolved I won’t let

nurse put any more lavender among my smocks—ha, cousin?

MRS. FRAIL. Fie, Miss; amongst your linen, you must say. You must never

say smock.

MISS. Why, it is not bawdy, is it, cousin?

TATT. Oh, madam; you are too severe upon Miss; you must not find fault

with her pretty simplicity: it becomes her strangely. Pretty Miss, don’t

let ’em persuade you out of your innocency.

MRS. FORE. Oh, demm you toad. I wish you don’t persuade her out of her

innocency.

TATT. Who, I, madam? O Lord, how can your ladyship have such a thought?

Sure, you don’t know me.

MRS. FRAIL. Ah devil, sly devil. He’s as close, sister, as a confessor.

He thinks we don’t observe him.

MRS. FORE. A cunning cur, how soon he could find out a fresh, harmless

creature; and left us, sister, presently.

TATT. Upon reputation

MRS. FORE. They’re all so, sister, these men. They love to have the

spoiling of a young thing, they are as fond of it, as of being first in

the fashion, or of seeing a new play the first day. I warrant it would

break Mr. Tattle’s heart to think that anybody else should be beforehand

with him.

TATT. O Lord, I swear I would not for the world—

MRS. FRAIL. O hang you; who’ll believe you? You’d be hanged before

you’d confess. We know you—she’s very pretty! Lord, what pure red and

white!—she looks so wholesome; ne’er stir: I don’t know, but I fancy, if

I were a man—

MISS. How you love to jeer one, cousin.

MRS. FORE. Hark’ee, sister, by my soul the girl is spoiled already.

D’ee think she’ll ever endure a great lubberly tarpaulin? Gad, I warrant

you she won’t let him come near her after Mr. Tattle.

MRS. FRAIL. O my soul, I’m afraid not—eh!—filthy creature, that smells

all of pitch and tar. Devil take you, you confounded toad—why did you

see her before she was married?

MRS. FORE. Nay, why did we let him—my husband will hang us. He’ll think

we brought ’em acquainted.

MRS. FRAIL. Come, faith, let us be gone. If my brother Foresight should

find us with them, he’d think so, sure enough.

MRS. FORE. So he would—but then leaving them together is as bad: and

he’s such a sly devil, he’ll never miss an opportunity.

MRS. FRAIL. I don’t care; I won’t be seen in’t.

MRS. FORE. Well, if you should, Mr. Tattle, you’ll have a world to

answer for; remember I wash my hands of it. I’m thoroughly innocent.

SCENE XI.

TATTLE, MISS PRUE.

MISS. What makes ’em go away, Mr. Tattle? What do they mean, do you

know?

TATT. Yes my dear; I think I can guess, but hang me if I know the reason

of it.

MISS. Come, must not we go too?

TATT. No, no, they don’t mean that.

MISS. No! What then? What shall you and I do together?

TATT. I must make love to you, pretty Miss; will you let me make love to

you?

MISS. Yes, if you please.

TATT. Frank, i’Gad, at least. What a pox does Mrs. Foresight mean by

this civility? Is it to make a fool of me? Or does she leave us

together out of good morality, and do as she would be done by?—Gad, I’ll

understand it so. [_Aside_.]

MISS. Well; and how will you make love to me—come, I long to have you

begin,—must I make love too? You must tell me how.

TATT. You must let me speak, Miss, you must not speak first; I must ask

you questions, and you must answer.

MISS. What, is it like the catechism? Come then, ask me.

TATT. D’ye think you can love me?

MISS. Yes.

TATT. Pooh, pox, you must not say yes already; I shan’t care a farthing

for you then in a twinkling.

MISS. What must I say then?

TATT. Why you must say no, or you believe not, or you can’t tell—

MISS. Why, must I tell a lie then?

TATT. Yes, if you’d be well bred. All well bred persons lie.—Besides,

you are a woman, you must never speak what you think: your words must

contradict your thoughts; but your actions may contradict your words. So

when I ask you if you can love me, you must say no, but you must love me

too. If I tell you you are handsome, you must deny it, and say I flatter

you. But you must think yourself more charming than I speak you: and

like me, for the beauty which I say you have, as much as if I had it

myself. If I ask you to kiss me, you must be angry, but you must not

refuse me. If I ask you for more, you must be more angry,—but more

complying; and as soon as ever I make you say you’ll cry out, you must be

sure to hold your tongue.

MISS. O Lord, I swear this is pure. I like it better than our

old-fashioned country way of speaking one’s mind;—and must not you lie

too?

TATT. Hum—yes—but you must believe I speak truth.

MISS. O Gemini! Well, I always had a great mind to tell lies; but they

frighted me, and said it was a sin.

TATT. Well, my pretty creature; will you make me happy by giving me a

kiss?

MISS. No, indeed; I’m angry at you. [_Runs and kisses him_.]

TATT. Hold, hold, that’s pretty well, but you should not have given it

me, but have suffered me to have taken it.

MISS. Well, we’ll do it again.

TATT. With all my heart.—Now then, my little angel. [_Kisses her_.]

MISS. Pish.

TATT. That’s right,—again, my charmer. [_Kisses again_.]

MISS. O fie, nay, now I can’t abide you.

TATT. Admirable! That was as well as if you had been born and bred in

Covent Garden. And won’t you shew me, pretty miss, where your

bed-chamber is?

MISS. No, indeed won’t I; but I’ll run there, and hide myself from you

behind the curtains.

TATT. I’ll follow you.

MISS. Ah, but I’ll hold the door with both hands, and be angry;—and you

shall push me down before you come in.

TATT. No, I’ll come in first, and push you down afterwards.

MISS. Will you? Then I’ll be more angry and more complying.

TATT. Then I’ll make you cry out.

MISS. Oh, but you shan’t, for I’ll hold my tongue.

TATT. O my dear apt scholar!

MISS. Well, now I’ll run and make more haste than you.

TATT. You shall not fly so fast, as I’ll pursue.

ACT III.—SCENE I.

NURSE _alone_.

NURSE. Miss, Miss, Miss Prue! Mercy on me, marry and amen. Why, what’s

become of the child? Why Miss, Miss Foresight! Sure she has locked

herself up in her chamber, and gone to sleep, or to prayers: Miss,

Miss,—I hear her.—Come to your father, child; open the door. Open the

door, Miss. I hear you cry husht. O Lord, who’s there? [_peeps_]

What’s here to do? O the Father! A man with her! Why, miss, I say;

God’s my life, here’s fine doings towards—O Lord, we’re all undone. O

you young harlotry [_knocks_]. Od’s my life, won’t you open the door?

I’ll come in the back way.

SCENE II.

TATTLE, MISS PRUE.

MISS. O Lord, she’s coming, and she’ll tell my father; what shall I do

now?

TATT. Pox take her; if she had stayed two minutes longer, I should have

wished for her coming.

MISS. O dear, what shall I say? Tell me, Mr. Tattle, tell me a lie.

TATT. There’s no occasion for a lie; I could never tell a lie to no

purpose. But since we have done nothing, we must say nothing, I think.

I hear her,—I’ll leave you together, and come off as you can. [_Thrusts

her in_, _and shuts the door_.]

SCENE III.

TATTLE, VALENTINE, SCANDAL, ANGELICA.

ANG. You can’t accuse me of inconstancy; I never told you that I loved

you.

VAL. But I can accuse you of uncertainty, for not telling me whether you

did or not.

ANG. You mistake indifference for uncertainty; I never had concern

enough to ask myself the question.

SCAN. Nor good-nature enough to answer him that did ask you; I’ll say

that for you, madam.

ANG. What, are you setting up for good-nature?

SCAN. Only for the affectation of it, as the women do for ill-nature.

ANG. Persuade your friend that it is all affectation.

SCAN. I shall receive no benefit from the opinion; for I know no

effectual difference between continued affectation and reality.

TATT. [_coming up_]. Scandal, are you in private discourse? Anything

of secrecy? [_Aside to_ SCANDAL.]

SCAN. Yes, but I dare trust you; we were talking of Angelica’s love to

Valentine. You won’t speak of it.

TATT. No, no, not a syllable. I know that’s a secret, for it’s

whispered everywhere.

SCAN. Ha, ha, ha!

ANG. What is, Mr. Tattle? I heard you say something was whispered

everywhere.

SCAN. Your love of Valentine.

ANG. How!

TATT. No, madam, his love for your ladyship. Gad take me, I beg your

pardon,—for I never heard a word of your ladyship’s passion till this

instant.

ANG. My passion! And who told you of my passion, pray sir?

SCAN. Why, is the devil in you? Did not I tell it you for a secret?

TATT. Gadso; but I thought she might have been trusted with her own

affairs.

SCAN. Is that your discretion? Trust a woman with herself?

TATT. You say true, I beg your pardon. I’ll bring all off. It was

impossible, madam, for me to imagine that a person of your ladyship’s wit

and gallantry could have so long received the passionate addresses of the

accomplished Valentine, and yet remain insensible; therefore you will

pardon me, if, from a just weight of his merit, with your ladyship’s good

judgment, I formed the balance of a reciprocal affection.

VAL. O the devil, what damned costive poet has given thee this lesson of

fustian to get by rote?

ANG. I dare swear you wrong him, it is his own. And Mr. Tattle only

judges of the success of others, from the effects of his own merit. For

certainly Mr. Tattle was never denied anything in his life.

TATT. O Lord! Yes, indeed, madam, several times.

ANG. I swear I don’t think ’tis possible.

TATT. Yes, I vow and swear I have; Lord, madam, I’m the most unfortunate

man in the world, and the most cruelly used by the ladies.

ANG. Nay, now you’re ungrateful.

TATT. No, I hope not, ’tis as much ingratitude to own some favours as to

conceal others.

VAL. There, now it’s out.

ANG. I don’t understand you now. I thought you had never asked anything

but what a lady might modestly grant, and you confess.

SCAN. So faith, your business is done here; now you may go brag

somewhere else.

TATT. Brag! O heavens! Why, did I name anybody?

ANG. No; I suppose that is not in your power; but you would if you

could, no doubt on’t.

TATT. Not in my power, madam! What, does your ladyship mean that I have

no woman’s reputation in my power?

SCAN. ’Oons, why, you won’t own it, will you? [_Aside_.]

TATT. Faith, madam, you’re in the right; no more I have, as I hope to be

saved; I never had it in my power to say anything to a lady’s prejudice

in my life. For as I was telling you, madam, I have been the most

unsuccessful creature living, in things of that nature; and never had the

good fortune to be trusted once with a lady’s secret, not once.

ANG. No?

VAL. Not once, I dare answer for him.

SCAN. And I’ll answer for him; for I’m sure if he had, he would have

told me; I find, madam, you don’t know Mr. Tattle.

TATT. No indeed, madam, you don’t know me at all, I find. For sure my

intimate friends would have known—

ANG. Then it seems you would have told, if you had been trusted.

TATT. O pox, Scandal, that was too far put. Never have told

particulars, madam. Perhaps I might have talked as of a third person; or

have introduced an amour of my own, in conversation, by way of novel; but

never have explained particulars.

ANG. But whence comes the reputation of Mr. Tattle’s secrecy, if he was

never trusted?

SCAN. Why, thence it arises—the thing is proverbially spoken; but may be

applied to him—as if we should say in general terms, he only is secret

who never was trusted; a satirical proverb upon our sex. There’s another

upon yours—as she is chaste, who was never asked the question. That’s

all.

VAL. A couple of very civil proverbs, truly. ’Tis hard to tell whether

the lady or Mr. Tattle be the more obliged to you. For you found her

virtue upon the backwardness of the men; and his secrecy upon the

mistrust of the women.

TATT. Gad, it’s very true, madam, I think we are obliged to acquit

ourselves. And for my part—but your ladyship is to speak first.

ANG. Am I? Well, I freely confess I have resisted a great deal of

temptation.

TATT. And i’Gad, I have given some temptation that has not been

resisted.

VAL. Good.

ANG. I cite Valentine here, to declare to the court, how fruitless he

has found his endeavours, and to confess all his solicitations and my

denials.

VAL. I am ready to plead not guilty for you; and guilty for myself.

SCAN. So, why this is fair, here’s demonstration with a witness.

TATT. Well, my witnesses are not present. But I confess I have had

favours from persons. But as the favours are numberless, so the persons

are nameless.

SCAN. Pooh, this proves nothing.

TATT. No? I can show letters, lockets, pictures, and rings; and if

there be occasion for witnesses, I can summon the maids at the

chocolate-houses, all the porters at Pall Mall and Covent Garden, the

door-keepers at the Playhouse, the drawers at Locket’s, Pontack’s, the

Rummer, Spring Garden, my own landlady and _valet de chambre_; all who

shall make oath that I receive more letters than the Secretary’s office,

and that I have more vizor-masks to enquire for me, than ever went to see

the Hermaphrodite, or the Naked Prince. And it is notorious that in a

country church once, an enquiry being made who I was, it was answered, I

was the famous Tattle, who had ruined so many women.

VAL. It was there, I suppose, you got the nickname of the Great Turk.

TATT. True; I was called Turk-Tattle all over the parish. The next

Sunday all the old women kept their daughters at home, and the parson had

not half his congregation. He would have brought me into the spiritual

court, but I was revenged upon him, for he had a handsome daughter whom I

initiated into the science. But I repented it afterwards, for it was

talked of in town. And a lady of quality that shall be nameless, in a

raging fit of jealousy, came down in her coach and six horses, and

exposed herself upon my account; Gad, I was sorry for it with all my

heart. You know whom I mean—you know where we raffled—

SCAN. Mum, Tattle.

VAL. ’Sdeath, are not you ashamed?

ANG. O barbarous! I never heard so insolent a piece of vanity. Fie,

Mr. Tattle; I’ll swear I could not have believed it. Is this your

secrecy?

TATT. Gadso, the heat of my story carried me beyond my discretion, as

the heat of the lady’s passion hurried her beyond her reputation. But I

hope you don’t know whom I mean; for there was a great many ladies

raffled. Pox on’t, now could I bite off my tongue.

SCAN. No, don’t; for then you’ll tell us no more. Come, I’ll recommend

a song to you upon the hint of my two proverbs, and I see one in the next

room that will sing it. [_Goes to the door_.]

TATT. For heaven’s sake, if you do guess, say nothing; Gad, I’m very

unfortunate.

SCAN. Pray sing the first song in the last new play.

SONG.

Set by Mr. John Eccles.

I.

A nymph and a swain to Apollo once prayed,

The swain had been jilted, the nymph been betrayed:

Their intent was to try if his oracle knew

E’er a nymph that was chaste, or a swain that was true.

II.

Apollo was mute, and had like t’have been posed,

But sagely at length he this secret disclosed:

He alone won’t betray in whom none will confide,

And the nymph may be chaste that has never been tried.

SCENE IV.

[_To them_] SIR SAMPSON, MRS. FRAIL, MISS PRUE, _and_ SERVANT.

SIR SAMP. Is Ben come? Odso, my son Ben come? Odd, I’m glad on’t.

Where is he? I long to see him. Now, Mrs. Frail, you shall see my son

Ben. Body o’ me, he’s the hopes of my family. I han’t seen him these

three years—I warrant he’s grown. Call him in, bid him make haste. I’m

ready to cry for joy.

MRS. FRAIL. Now Miss, you shall see your husband.

MISS. Pish, he shall be none of my husband. [_Aside to Frail_.]

MRS. FRAIL. Hush. Well he shan’t; leave that to me. I’ll beckon Mr.

Tattle to us.

ANG. Won’t you stay and see your brother?

VAL. We are the twin stars, and cannot shine in one sphere; when he

rises I must set. Besides, if I should stay, I don’t know but my father

in good nature may press me to the immediate signing the deed of

conveyance of my estate; and I’ll defer it as long as I can. Well,

you’ll come to a resolution.

ANG. I can’t. Resolution must come to me, or I shall never have one.

SCAN. Come, Valentine, I’ll go with you; I’ve something in my head to

communicate to you.

SCENE V.

ANGELICA, SIR SAMPSON, TATTLE, MRS. FRAIL, MISS PRUE.

SIR SAMP. What, is my son Valentine gone? What, is he sneaked off, and

would not see his brother? There’s an unnatural whelp! There’s an

ill-natured dog! What, were you here too, madam, and could not keep him?

Could neither love, nor duty, nor natural affection oblige him? Odsbud,

madam, have no more to say to him, he is not worth your consideration.

The rogue has not a drachm of generous love about him—all interest, all

interest; he’s an undone scoundrel, and courts your estate: body o’ me,

he does not care a doit for your person.

ANG. I’m pretty even with him, Sir Sampson; for if ever I could have

liked anything in him, it should have been his estate too; but since

that’s gone, the bait’s off, and the naked hook appears.

SIR SAMP. Odsbud, well spoken, and you are a wiser woman than I thought

you were, for most young women now-a-days are to be tempted with a naked

hook.

ANG. If I marry, Sir Sampson, I’m for a good estate with any man, and

for any man with a good estate; therefore, if I were obliged to make a

choice, I declare I’d rather have you than your son.

SIR SAMP. Faith and troth, you’re a wise woman, and I’m glad to hear you

say so; I was afraid you were in love with the reprobate. Odd, I was

sorry for you with all my heart. Hang him, mongrel, cast him off; you

shall see the rogue show himself, and make love to some desponding Cadua

of fourscore for sustenance. Odd, I love to see a young spendthrift

forced to cling to an old woman for support, like ivy round a dead oak;

faith I do, I love to see ’em hug and cotton together, like down upon a

thistle.

SCENE VI.

[_To them_] BEN LEGEND _and_ SERVANT.

BEN. Where’s father?

SERV. There, sir, his back’s toward you.

SIR SAMP. My son Ben! Bless thee, my dear body. Body o’ me, thou art

heartily welcome.

BEN. Thank you, father, and I’m glad to see you.

SIR SAMP. Odsbud, and I’m glad to see thee; kiss me, boy, kiss me again

and again, dear Ben. [_Kisses him_.]

BEN. So, so, enough, father, Mess, I’d rather kiss these gentlewomen.

SIR SAMP. And so thou shalt. Mrs. Angelica, my son Ben.

BEN. Forsooth, if you please. [_Salutes her_.] Nay, mistress, I’m not

for dropping anchor here; about ship, i’faith. [_Kisses Frail_.] Nay,

and you too, my little cock-boat—so [_Kisses Miss_].

TATT. Sir, you’re welcome ashore.

BEN. Thank you, thank you, friend.

SIR SAMP. Thou hast been many a weary league, Ben, since I saw thee.

BEN. Ay, ay, been! Been far enough, an’ that be all. Well, father, and

how do all at home? How does brother Dick, and brother Val?

SIR SAMP. Dick—body o’ me—Dick has been dead these two years. I writ

you word when you were at Leghorn.

BEN. Mess, that’s true; marry! I had forgot. Dick’s dead, as you say.

Well, and how? I have a many questions to ask you. Well, you ben’t

married again, father, be you?

SIR SAMP. No; I intend you shall marry, Ben; I would not marry for thy

sake.

BEN. Nay, what does that signify? An’ you marry again—why then, I’ll go

to sea again, so there’s one for t’other, an’ that be all. Pray don’t

let me be your hindrance—e’en marry a God’s name, an the wind sit that

way. As for my part, mayhap I have no mind to marry.

FRAIL. That would be pity—such a handsome young gentleman.

BEN. Handsome! he, he, he! nay, forsooth, an you be for joking, I’ll

joke with you, for I love my jest, an’ the ship were sinking, as we sayn

at sea. But I’ll tell you why I don’t much stand towards matrimony. I

love to roam about from port to port, and from land to land; I could

never abide to be port-bound, as we call it. Now, a man that is married

has, as it were, d’ye see, his feet in the bilboes, and mayhap mayn’t get

them out again when he would.

SIR SAMP. Ben’s a wag.

BEN. A man that is married, d’ye see, is no more like another man than a

galley-slave is like one of us free sailors; he is chained to an oar all

his life, and mayhap forced to tug a leaky vessel into the bargain.

SIR SAMP. A very wag—Ben’s a very wag; only a little rough, he wants a

little polishing.

MRS. FRAIL. Not at all; I like his humour mightily: it’s plain and

honest—I should like such a humour in a husband extremely.

BEN. Say’n you so, forsooth? Marry, and I should like such a handsome

gentlewoman for a bed-fellow hugely. How say you, mistress, would you

like going to sea? Mess, you’re a tight vessel, an well rigged, an you

were but as well manned.

MRS. FRAIL. I should not doubt that if you were master of me.

BEN. But I’ll tell you one thing, an you come to sea in a high wind, or

that lady—you may’nt carry so much sail o’ your head—top and top gallant,

by the mess.

MRS. FRAIL. No, why so?

BEN. Why, an you do, you may run the risk to be overset, and then you’ll

carry your keels above water, he, he, he!

ANG. I swear, Mr. Benjamin is the veriest wag in nature—an absolute

sea-wit.

SIR SAMP. Nay, Ben has parts, but as I told you before, they want a

little polishing. You must not take anything ill, madam.

BEN. No, I hope the gentlewoman is not angry; I mean all in good part,

for if I give a jest, I’ll take a jest, and so forsooth you may be as

free with me.

ANG. I thank you, sir, I am not at all offended. But methinks, Sir

Sampson, you should leave him alone with his mistress. Mr. Tattle, we

must not hinder lovers.

TATT. Well, Miss, I have your promise. [_Aside to Miss_.]

SIR SAMP. Body o’ me, madam, you say true. Look you, Ben, this is your

mistress. Come, Miss, you must not be shame-faced; we’ll leave you

together.

MISS. I can’t abide to be left alone; mayn’t my cousin stay with me?

SIR SAMP. No, no. Come, let’s away.

BEN. Look you, father, mayhap the young woman mayn’t take a liking to

me.

SIR SAMP. I warrant thee, boy: come, come, we’ll be gone; I’ll venture

that.

SCENE VII.

BEN, _and_ MISS PRUE.

BEN. Come mistress, will you please to sit down? for an you stand a

stern a that’n, we shall never grapple together. Come, I’ll haul a

chair; there, an you please to sit, I’ll sit by you.

MISS. You need not sit so near one, if you have anything to say, I can

hear you farther off, I an’t deaf.

BEN. Why that’s true, as you say, nor I an’t dumb, I can be heard as far

as another,—I’ll heave off, to please you. [_Sits farther off_.] An we

were a league asunder, I’d undertake to hold discourse with you, an

’twere not a main high wind indeed, and full in my teeth. Look you,

forsooth, I am, as it were, bound for the land of matrimony; ’tis a

voyage, d’ye see, that was none of my seeking. I was commanded by

father, and if you like of it, mayhap I may steer into your harbour. How

say you, mistress? The short of the thing is, that if you like me, and I

like you, we may chance to swing in a hammock together.

MISS. I don’t know what to say to you, nor I don’t care to speak with

you at all.

BEN. No? I’m sorry for that. But pray why are you so scornful?

MISS. As long as one must not speak one’s mind, one had better not speak

at all, I think, and truly I won’t tell a lie for the matter.

BEN. Nay, you say true in that, it’s but a folly to lie: for to speak

one thing, and to think just the contrary way is, as it were, to look one

way, and to row another. Now, for my part, d’ye see, I’m for carrying

things above board, I’m not for keeping anything under hatches,—so that

if you ben’t as willing as I, say so a God’s name: there’s no harm done;

mayhap you may be shame-faced; some maidens thof they love a man well

enough, yet they don’t care to tell’n so to’s face. If that’s the case,

why, silence gives consent.

MISS. But I’m sure it is not so, for I’ll speak sooner than you should

believe that; and I’ll speak truth, though one should always tell a lie

to a man; and I don’t care, let my father do what he will; I’m too big to

be whipt, so I’ll tell you plainly, I don’t like you, nor love you at

all, nor never will, that’s more: so there’s your answer for you; and

don’t trouble me no more, you ugly thing.

BEN. Look you, young woman, you may learn to give good words, however.

I spoke you fair, d’ye see, and civil. As for your love or your liking,

I don’t value it of a rope’s end; and mayhap I like you as little as you

do me: what I said was in obedience to father. Gad, I fear a whipping no

more than you do. But I tell you one thing, if you should give such

language at sea, you’d have a cat o’ nine tails laid cross your

shoulders. Flesh! who are you? You heard t’other handsome young woman

speak civilly to me of her own accord. Whatever you think of yourself,

gad, I don’t think you are any more to compare to her than a can of

small-beer to a bowl of punch.

MISS. Well, and there’s a handsome gentleman, and a fine gentleman, and

a sweet gentleman, that was here that loves me, and I love him; and if he

sees you speak to me any more, he’ll thrash your jacket for you, he will,

you great sea-calf.

BEN. What, do you mean that fair-weather spark that was here just now?

Will he thrash my jacket? Let’n,—let’n. But an he comes near me, mayhap

I may giv’n a salt eel for’s supper, for all that. What does father mean

to leave me alone as soon as I come home with such a dirty dowdy?

Sea-calf? I an’t calf enough to lick your chalked face, you cheese-curd

you:—marry thee? Oons, I’ll marry a Lapland witch as soon, and live upon

selling contrary winds and wrecked vessels.

MISS. I won’t be called names, nor I won’t be abused thus, so I won’t.

If I were a man [_cries_]—you durst not talk at his rate. No, you durst

not, you stinking tar-barrel.

SCENE VIII.

[_To them_] MRS. FORESIGHT _and_ MRS. FRAIL.

MRS. FORE. They have quarrelled, just as we could wish.

BEN. Tar-barrel? Let your sweetheart there call me so, if he’ll take

your part, your Tom Essence, and I’ll say something to him; gad, I’ll

lace his musk-doublet for him, I’ll make him stink: he shall smell more

like a weasel than a civet-cat, afore I ha’ done with ’en.

MRS. FORE. Bless me, what’s the matter, Miss? What, does she cry? Mr.

Benjamin, what have you done to her?

BEN. Let her cry: the more she cries the less she’ll—she has been

gathering foul weather in her mouth, and now it rains out at her eyes.

MRS. FORE. Come, Miss, come along with me, and tell me, poor child.

MRS. FRAIL. Lord, what shall we do? There’s my brother Foresight and

Sir Sampson coming. Sister, do you take Miss down into the parlour, and

I’ll carry Mr. Benjamin into my chamber, for they must not know that they

are fallen out. Come, sir, will you venture yourself with me? [_Looking

kindly on him_.]

BEN. Venture, mess, and that I will, though ’twere to sea in a storm.

SCENE IX.

SIR SAMPSON _and_ FORESIGHT.

SIR SAMP. I left ’em together here; what, are they gone? Ben’s a brisk

boy: he has got her into a corner; father’s own son, faith, he’ll touzle

her, and mouzle her. The rogue’s sharp set, coming from sea; if he

should not stay for saving grace, old Foresight, but fall to without the

help of a parson, ha? Odd, if he should I could not be angry with him;

’twould be but like me, a chip of the old block. Ha! thou’rt

melancholic, old Prognostication; as melancholic as if thou hadst spilt

the salt, or pared thy nails on a Sunday. Come, cheer up, look about

thee: look up, old stargazer. Now is he poring upon the ground for a

crooked pin, or an old horse-nail, with the head towards him.

FORE. Sir Sampson, we’ll have the wedding to-morrow morning.

SIR SAMP. With all my heart.

FORE. At ten a’clock, punctually at ten.

SIR SAMP. To a minute, to a second; thou shalt set thy watch, and the

bridegroom shall observe its motions; they shall be married to a minute,

go to bed to a minute; and when the alarm strikes, they shall keep time

like the figures of St. Dunstan’s clock, and _consummatum est_ shall ring

all over the parish.

SCENE X.

[_To them_] SCANDAL.

SCAN. Sir Sampson, sad news.

FORE. Bless us!

SIR SAMP. Why, what’s the matter?

SCAN. Can’t you guess at what ought to afflict you and him, and all of

us, more than anything else?

SIR SAMP. Body o’ me, I don’t know any universal grievance, but a new

tax, or the loss of the Canary fleet. Unless popery should be landed in

the West, or the French fleet were at anchor at Blackwall.

SCAN. No. Undoubtedly, Mr. Foresight knew all this, and might have

prevented it.

FORE. ’Tis no earthquake!

SCAN. No, not yet; nor whirlwind. But we don’t know what it may come

to. But it has had a consequence already that touches us all.

SIR SAMP. Why, body o’ me, out with’t.

SCAN. Something has appeared to your son Valentine. He’s gone to bed

upon’t, and very ill. He speaks little, yet he says he has a world to

say. Asks for his father and the wise Foresight; talks of Raymond Lully,

and the ghost of Lilly. He has secrets to impart, I suppose, to you two.

I can get nothing out of him but sighs. He desires he may see you in the

morning, but would not be disturbed to-night, because he has some

business to do in a dream.

SIR SAMP. Hoity toity, what have I to do with his dreams or his

divination? Body o’ me, this is a trick to defer signing the conveyance.

I warrant the devil will tell him in a dream that he must not part with

his estate. But I’ll bring him a parson to tell him that the devil’s a

liar:—or if that won’t do, I’ll bring a lawyer that shall out-lie the

devil. And so I’ll try whether my blackguard or his shall get the better

of the day.

SCENE XI.

SCANDAL, FORESIGHT.

SCAN. Alas, Mr. Foresight, I’m afraid all is not right. You are a wise

man, and a conscientious man, a searcher into obscurity and futurity, and

if you commit an error, it is with a great deal of consideration, and

discretion, and caution—

FORE. Ah, good Mr. Scandal—

SCAN. Nay, nay, ’tis manifest; I do not flatter you. But Sir Sampson is

hasty, very hasty. I’m afraid he is not scrupulous enough, Mr.

Foresight. He has been wicked, and heav’n grant he may mean well in his

affair with you. But my mind gives me, these things cannot be wholly

insignificant. You are wise, and should not be over-reached, methinks

you should not—

FORE. Alas, Mr. Scandal,—_humanum est errare_.

SCAN. You say true, man will err; mere man will err—but you are

something more. There have been wise men; but they were such as you, men

who consulted the stars, and were observers of omens. Solomon was wise,

but how?—by his judgment in astrology. So says Pineda in his third book

and eighth chapter—

FORE. You are learned, Mr. Scandal.

SCAN. A trifler—but a lover of art. And the Wise Men of the East owed

their instruction to a star, which is rightly observed by Gregory the

Great in favour of astrology. And Albertus Magnus makes it the most

valuable science, because, says he, it teaches us to consider the

causation of causes, in the causes of things.

FORE. I protest I honour you, Mr. Scandal. I did not think you had been

read in these matters. Few young men are inclined—

SCAN. I thank my stars that have inclined me. But I fear this marriage

and making over this estate, this transferring of a rightful inheritance,

will bring judgments upon us. I prophesy it, and I would not have the

fate of Cassandra not to be believed. Valentine is disturbed; what can

be the cause of that? And Sir Sampson is hurried on by an unusual

violence. I fear he does not act wholly from himself; methinks he does

not look as he used to do.

FORE. He was always of an impetuous nature. But as to this marriage, I

have consulted the stars, and all appearances are prosperous—

SCAN. Come, come, Mr. Foresight, let not the prospect of worldly lucre

carry you beyond your judgment, nor against your conscience. You are not

satisfied that you act justly.

FORE. How?

SCAN. You are not satisfied, I say. I am loth to discourage you, but it

is palpable that you are not satisfied.

FORE. How does it appear, Mr. Scandal? I think I am very well

satisfied.

SCAN. Either you suffer yourself to deceive yourself, or you do not know

yourself.

FORE. Pray explain yourself.

SCAN. Do you sleep well o’ nights?

FORE. Very well.

SCAN. Are you certain? You do not look so.

FORE. I am in health, I think.

SCAN. So was Valentine this morning; and looked just so.

FORE. How? Am I altered any way? I don’t perceive it.

SCAN. That may be, but your beard is longer than it was two hours ago.

FORE. Indeed! Bless me!

SCENE XII.

[_To them_] MRS. FORESIGHT.

MRS. FORE. Husband, will you go to bed? It’s ten a’clock. Mr. Scandal,

your servant.

SCAN. Pox on her, she has interrupted my design—but I must work her into

the project. You keep early hours, madam.

MRS. FORE. Mr. Foresight is punctual; we sit up after him.

FORE. My dear, pray lend me your glass, your little looking-glass.

SCAN. Pray lend it him, madam. I’ll tell you the reason.

[_She gives him the glass_: SCANDAL _and she whisper_.] My passion for

you is grown so violent, that I am no longer master of myself. I was

interrupted in the morning, when you had charity enough to give me your

attention, and I had hopes of finding another opportunity of explaining

myself to you, but was disappointed all this day; and the uneasiness that

has attended me ever since brings me now hither at this unseasonable

hour.

MRS. FORE. Was there ever such impudence, to make love to me before my

husband’s face? I’ll swear I’ll tell him.

SCAN. Do. I’ll die a martyr rather than disclaim my passion. But come

a little farther this way, and I’ll tell you what project I had to get

him out of the way; that I might have an opportunity of waiting upon you.

[_Whisper_. FORESIGHT _looking in the glass_.]

FORE. I do not see any revolution here; methinks I look with a serene

and benign aspect—pale, a little pale—but the roses of these cheeks have

been gathered many years;—ha! I do not like that sudden flushing. Gone

already! hem, hem, hem! faintish. My heart is pretty good; yet it beats;

and my pulses, ha!—I have none—mercy on me—hum. Yes, here they

are—gallop, gallop, gallop, gallop, gallop, gallop, hey! Whither will

they hurry me? Now they’re gone again. And now I’m faint again, and

pale again, and hem! and my hem! breath, hem! grows short; hem! hem! he,

he, hem!

SCAN. It takes: pursue it in the name of love and pleasure.

MRS. FORE. How do you do, Mr. Foresight!

FORE. Hum, not so well as I thought I was. Lend me your hand.

SCAN. Look you there now. Your lady says your sleep has been unquiet of

late.

FORE. Very likely.

MRS. FORE. Oh, mighty restless, but I was afraid to tell him so. He has

been subject to talking and starting.

SCAN. And did not use to be so?

MRS. FORE. Never, never, till within these three nights; I cannot say

that he has once broken my rest since we have been married.

FORE. I will go to bed.

SCAN. Do so, Mr. Foresight, and say your prayers. He looks better than

he did.

MRS. FORE. Nurse, nurse!

FORE. Do you think so, Mr. Scandal?

SCAN. Yes, yes. I hope this will be gone by morning, taking it in time.

FORE. I hope so.

SCENE XIII.

[_To them_] NURSE.

MRS. FORE. Nurse; your master is not well; put him to bed.

SCAN. I hope you will be able to see Valentine in the morning. You had

best take a little diacodion and cowslip-water, and lie upon your back:

maybe you may dream.

FORE. I thank you, Mr. Scandal, I will. Nurse, let me have a

watch-light, and lay the Crumbs of Comfort by me.

NURSE. Yes, sir.

FORE. And—hem, hem! I am very faint.

SCAN. No, no, you look much better.

FORE. Do I? And, d’ye hear, bring me, let me see—within a quarter of

twelve, hem—he, hem!—just upon the turning of the tide, bring me the

urinal; and I hope, neither the lord of my ascendant, nor the moon will

be combust; and then I may do well.

SCAN. I hope so. Leave that to me; I will erect a scheme; and I hope I

shall find both Sol and Venus in the sixth house.

FORE. I thank you, Mr. Scandal, indeed that would be a great comfort to

me. Hem, hem! good night.

SCENE XIV.

SCANDAL, MRS. FORESIGHT.

SCAN. Good night, good Mr. Foresight; and I hope Mars and Venus will be

in conjunction;—while your wife and I are together.

MRS. FORE. Well; and what use do you hope to make of this project? You

don’t think that you are ever like to succeed in your design upon me?

SCAN. Yes, faith I do; I have a better opinion both of you and myself

than to despair.

MRS. FORE. Did you ever hear such a toad? Hark’ee, devil: do you think

any woman honest?

SCAN. Yes, several, very honest; they’ll cheat a little at cards,

sometimes, but that’s nothing.

MRS. FORE. Pshaw! but virtuous, I mean?

SCAN. Yes, faith, I believe some women are virtuous too; but ’tis as I

believe some men are valiant, through fear. For why should a man court

danger or a woman shun pleasure?

MRS. FORE. Oh, monstrous! What are conscience and honour?

SCAN. Why, honour is a public enemy, and conscience a domestic thief;

and he that would secure his pleasure must pay a tribute to one and go

halves with t’other. As for honour, that you have secured, for you have

purchased a perpetual opportunity for pleasure.

MRS. FORE. An opportunity for pleasure?

SCAN. Ay, your husband, a husband is an opportunity for pleasure: so you

have taken care of honour, and ’tis the least I can do to take care of

conscience.

MRS. FORE. And so you think we are free for one another?

SCAN. Yes, faith I think so; I love to speak my mind.

MRS. FORE. Why, then, I’ll speak my mind. Now as to this affair between

you and me. Here you make love to me; why, I’ll confess it does not

displease me. Your person is well enough, and your understanding is not

amiss.

SCAN. I have no great opinion of myself, but I think I’m neither

deformed nor a fool.

MRS. FORE. But you have a villainous character: you are a libertine in

speech, as well as practice.

SCAN. Come, I know what you would say: you think it more dangerous to be

seen in conversation with me than to allow some other men the last

favour; you mistake: the liberty I take in talking is purely affected for

the service of your sex. He that first cries out stop thief is often he

that has stol’n the treasure. I am a juggler, that act by confederacy;

and if you please, we’ll put a trick upon the world.

MRS. FORE. Ay; but you are such an universal juggler, that I’m afraid

you have a great many confederates.

SCAN. Faith, I’m sound.

MRS. FORE. Oh, fie—I’ll swear you’re impudent.

SCAN. I’ll swear you’re handsome.

MRS. FORE. Pish, you’d tell me so, though you did not think so.

SCAN. And you’d think so, though I should not tell you so. And now I

think we know one another pretty well.

MRS. FORE. O Lord, who’s here?

SCENE XV.

[_To them_] MRS. FRAIL _and_ BEN.

BEN. Mess, I love to speak my mind. Father has nothing to do with me.

Nay, I can’t say that neither; he has something to do with me. But what

does that signify? If so be that I ben’t minded to be steered by him;

’tis as thof he should strive against wind and tide.

MRS. FRAIL. Ay, but, my dear, we must keep it secret till the estate be

settled; for you know, marrying without an estate is like sailing in a

ship without ballast.

BEN. He, he, he; why, that’s true; just so for all the world it is

indeed, as like as two cable ropes.

MRS. FRAIL. And though I have a good portion, you know one would not

venture all in one bottom.

BEN. Why, that’s true again; for mayhap one bottom may spring a leak.

You have hit it indeed: mess, you’ve nicked the channel.

MRS. FRAIL. Well, but if you should forsake me after all, you’d break my

heart.

BEN. Break your heart? I’d rather the _Mary-gold_ should break her

cable in a storm, as well as I love her. Flesh, you don’t think I’m

false-hearted, like a landman. A sailor will be honest, thof mayhap he

has never a penny of money in his pocket. Mayhap I may not have so fair

a face as a citizen or a courtier; but, for all that, I’ve as good blood

in my veins, and a heart as sound as a biscuit.

MRS. FRAIL. And will you love me always?

BEN. Nay, an I love once, I’ll stick like pitch; I’ll tell you that.

Come, I’ll sing you a song of a sailor.

MRS. FRAIL. Hold, there’s my sister, I’ll call her to hear it.

MRS. FORE. Well; I won’t go to bed to my husband to-night, because I’ll

retire to my own chamber, and think of what you have said.

SCAN. Well; you’ll give me leave to wait upon you to your chamber door,

and leave you my last instructions?

MRS. FORE. Hold, here’s my sister coming towards us.

MRS. FRAIL. If it won’t interrupt you I’ll entertain you with a song.

BEN. The song was made upon one of our ship’s-crew’s wife. Our

boatswain made the song. Mayhap you may know her, sir. Before she was

married she was called buxom Joan of Deptford.

SCAN. I have heard of her.

BEN. [_Sings_]:—

BALLAD.

Set by MR. JOHN ECCLES.

I.

A soldier and a sailor,

A tinker and a tailor,

Had once a doubtful strife, sir,

To make a maid a wife, sir,

Whose name was buxom Joan.

For now the time was ended,

When she no more intended

To lick her lips at men, sir,

And gnaw the sheets in vain, sir,

And lie o’ nights alone.

II.

The soldier swore like thunder,

He loved her more than plunder,

And shewed her many a scar, sir,

That he had brought from far, sir,

With fighting for her sake.

The tailor thought to please her

With offering her his measure.

The tinker, too, with mettle

Said he could mend her kettle,

And stop up ev’ry leak.

III.

But while these three were prating,

The sailor slyly waiting,

Thought if it came about, sir,

That they should all fall out, sir,

He then might play his part.

And just e’en as he meant, sir,

To loggerheads they went, sir,

And then he let fly at her

A shot ’twixt wind and water,

That won this fair maid’s heart.

BEN. If some of our crew that came to see me are not gone, you shall see

that we sailors can dance sometimes as well as other folks.

[_Whistles_.] I warrant that brings ’em, an they be within hearing.

[_Enter seamen_]. Oh, here they be—and fiddles along with ’em. Come,

my lads, let’s have a round, and I’ll make one. [_Dance_.]

BEN. We’re merry folks, we sailors: we han’t much to care for. Thus we

live at sea; eat biscuit, and drink flip, put on a clean shirt once a

quarter; come home and lie with our landladies once a year, get rid of a

little money, and then put off with the next fair wind. How d’ye like

us?

MRS. FRAIL. Oh, you are the happiest, merriest men alive.

MRS. FORE. We’re beholden to Mr. Benjamin for this entertainment. I

believe it’s late.

BEN. Why, forsooth, an you think so, you had best go to bed. For my

part, I mean to toss a can, and remember my sweet-heart, afore I turn in;

mayhap I may dream of her.

MRS. FORE. Mr. Scandal, you had best go to bed and dream too.

SCAN. Why, faith, I have a good lively imagination, and can dream as

much to the purpose as another, if I set about it. But dreaming is the

poor retreat of a lazy, hopeless, and imperfect lover; ’tis the last

glimpse of love to worn-out sinners, and the faint dawning of a bliss to

wishing girls and growing boys.

There’s nought but willing, waking love, that can

Make blest the ripened maid and finished man.

ACT IV.—SCENE I.

_Valentine’s lodging_.

SCANDAL _and_ JEREMY.

SCAN. Well, is your master ready? does he look madly and talk madly?

JERE. Yes, sir; you need make no great doubt of that. He that was so

near turning poet yesterday morning can’t be much to seek in playing the

madman to-day.

SCAN. Would he have Angelica acquainted with the reason of his design?

JERE. No, sir, not yet. He has a mind to try whether his playing the

madman won’t make her play the fool, and fall in love with him; or at

least own that she has loved him all this while and concealed it.

SCAN. I saw her take coach just now with her maid, and think I heard her

bid the coachman drive hither.

JERE. Like enough, sir, for I told her maid this morning, my master was

run stark mad only for love of her mistress.—I hear a coach stop; if it

should be she, sir, I believe he would not see her, till he hears how she

takes it.

SCAN. Well, I’ll try her:—’tis she—here she comes.

SCENE II.

[_To them_] ANGELICA _with_ JENNY.

ANG. Mr. Scandal, I suppose you don’t think it a novelty to see a woman

visit a man at his own lodgings in a morning?

SCAN. Not upon a kind occasion, madam. But when a lady comes

tyrannically to insult a ruined lover, and make manifest the cruel

triumphs of her beauty, the barbarity of it something surprises me.

ANG. I don’t like raillery from a serious face. Pray tell me what is

the matter?

JERE. No strange matter, madam; my master’s mad, that’s all. I suppose

your ladyship has thought him so a great while.

ANG. How d’ye mean, mad?

JERE. Why, faith, madam, he’s mad for want of his wits, just as he was

poor for want of money; his head is e’en as light as his pockets, and

anybody that has a mind to a bad bargain can’t do better than to beg him

for his estate.

ANG. If you speak truth, your endeavouring at wit is very unseasonable.

SCAN. She’s concerned, and loves him. [_Aside_.]

ANG. Mr. Scandal, you can’t think me guilty of so much inhumanity as not

to be concerned for a man I must own myself obliged to? Pray tell me

truth.

SCAN. Faith, madam, I wish telling a lie would mend the matter. But

this is no new effect of an unsuccessful passion.

ANG. [_Aside_.] I know not what to think. Yet I should be vexed to

have a trick put upon me. May I not see him?

SCAN. I’m afraid the physician is not willing you should see him yet.

Jeremy, go in and enquire.

SCENE III.

SCANDAL, ANGELICA, JENNY.

ANG. Ha! I saw him wink and smile. I fancy ’tis a trick—I’ll try.—I

would disguise to all the world a failing which I must own to you: I fear

my happiness depends upon the recovery of Valentine. Therefore I conjure

you, as you are his friend, and as you have compassion upon one fearful

of affliction, to tell me what I am to hope for—I cannot speak—but you

may tell me, tell me, for you know what I would ask?

SCAN. So, this is pretty plain. Be not too much concerned, madam; I

hope his condition is not desperate. An acknowledgment of love from you,

perhaps, may work a cure, as the fear of your aversion occasioned his

distemper.

ANG. [_Aside_.] Say you so; nay, then, I’m convinced. And if I don’t

play trick for trick, may I never taste the pleasure of

revenge.—Acknowledgment of love! I find you have mistaken my compassion,

and think me guilty of a weakness I am a stranger to. But I have too

much sincerity to deceive you, and too much charity to suffer him to be

deluded with vain hopes. Good nature and humanity oblige me to be

concerned for him; but to love is neither in my power nor inclination,

and if he can’t be cured without I suck the poison from his wounds, I’m

afraid he won’t recover his senses till I lose mine.

SCAN. Hey, brave woman, i’faith—won’t you see him, then, if he desire

it?

ANG. What signify a madman’s desires? Besides, ’twould make me

uneasy:—if I don’t see him, perhaps my concern for him may lessen. If I

forget him, ’tis no more than he has done by himself; and now the

surprise is over, methinks I am not half so sorry as I was.

SCAN. So, faith, good nature works apace; you were confessing just now

an obligation to his love.

ANG. But I have considered that passions are unreasonable and

involuntary; if he loves, he can’t help it; and if I don’t love, I can’t

help it; no more than he can help his being a man, or I my being a woman:

or no more than I can help my want of inclination to stay longer here.

Come, Jenny.

SCENE IV.

SCANDAL, JEREMY.

SCAN. Humh! An admirable composition, faith, this same womankind.

JERE. What, is she gone, sir?

SCAN. Gone? Why, she was never here, nor anywhere else; nor I don’t

know her if I see her, nor you neither.

JERE. Good lack! What’s the matter now? Are any more of us to be mad?

Why, sir, my master longs to see her, and is almost mad in good earnest

with the joyful news of her being here.

SCAN. We are all under a mistake. Ask no questions, for I can’t resolve

you; but I’ll inform your master. In the meantime, if our project

succeed no better with his father than it does with his mistress, he may

descend from his exaltation of madness into the road of common sense, and

be content only to be made a fool with other reasonable people. I hear

Sir Sampson. You know your cue; I’ll to your master.

SCENE V.

JEREMY, SIR SAMPSON LEGEND, _with a_ LAWYER.

SIR SAMP. D’ye see, Mr. Buckram, here’s the paper signed with his own

hand.

BUCK. Good, sir. And the conveyance is ready drawn in this box, if he

be ready to sign and seal.

SIR SAMP. Ready, body o’ me? He must be ready. His sham-sickness

shan’t excuse him. Oh, here’s his scoundrel. Sirrah, where’s your

master?

JERE. Ah sir, he’s quite gone.

SIR SAMP. Gone! What, he is not dead?

JERE. No, sir, not dead.

SIR SAMP. What, is he gone out of town, run away, ha? has he tricked me?

Speak, varlet.

JERE. No, no, sir, he’s safe enough, sir, an he were but as sound, poor

gentleman. He is indeed here, sir, and not here, sir.

SIR SAMP. Hey day, rascal, do you banter me? Sirrah, d’ye banter me?

Speak, sirrah, where is he? for I will find him.

JERE. Would you could, sir, for he has lost himself. Indeed, sir, I

have a’most broke my heart about him—I can’t refrain tears when I think

of him, sir: I’m as melancholy for him as a passing-bell, sir, or a horse

in a pound.

SIR SAMP. A pox confound your similitudes, sir. Speak to be understood,

and tell me in plain terms what the matter is with him, or I’ll crack

your fool’s skull.

JERE. Ah, you’ve hit it, sir; that’s the matter with him, sir: his

skull’s cracked, poor gentleman; he’s stark mad, sir.

SIR SAMP. Mad!

BUCK. What, is he _non compos_?

JERE. Quite _non compos_, sir.

BUCK. Why, then, all’s obliterated, Sir Sampson, if he be _non compos

mentis_; his act and deed will be of no effect, it is not good in law.

SIR SAMP. Oons, I won’t believe it; let me see him, sir. Mad—I’ll make

him find his senses.

JERE. Mr. Scandal is with him, sir; I’ll knock at the door.

[_Goes to the scene_, _which opens_.]

SCENE VI.

SIR SAMPSON, VALENTINE, SCANDAL, JEREMY, _and_ LAWYER. VALENTINE _upon a

couch disorderly dressed_.

SIR SAMP. How now, what’s here to do?

VAL. Ha! Who’s that? [_Starting_.]

SCAN. For heav’n’s sake softly, sir, and gently; don’t provoke him.

VAL. Answer me: who is that, and that?

SIR SAMP. Gads bobs, does he not know me? Is he mischievous? I’ll

speak gently. Val, Val, dost thou not know me, boy? Not know thy own

father, Val? I am thy own father, and this is honest Brief Buckram, the

lawyer.

VAL. It may be so—I did not know you—the world is full. There are

people that we do know, and people that we do not know, and yet the sun

shines upon all alike. There are fathers that have many children, and

there are children that have many fathers. ’Tis strange! But I am

Truth, and come to give the world the lie.

SIR SAMP. Body o’ me, I know not what to say to him.

VAL. Why does that lawyer wear black? Does he carry his conscience

withoutside? Lawyer what art thou? Dost thou know me?

BUCK. O Lord, what must I say? Yes, sir,

VAL. Thou liest, for I am Truth. ’Tis hard I cannot get a livelihood

amongst you. I have been sworn out of Westminster Hall the first day of

every term—let me see—no matter how long. But I’ll tell you one thing:

it’s a question that would puzzle an arithmetician, if you should ask

him, whether the Bible saves more souls in Westminster Abbey, or damns

more in Westminster Hall. For my part, I am Truth, and can’t tell; I

have very few acquaintance.

SIR SAMP. Body o’ me, he talks sensibly in his madness. Has he no

intervals?

JERE. Very short, sir.

BUCK. Sir, I can do you no service while he’s in this condition. Here’s

your paper, sir—he may do me a mischief if I stay. The conveyance is

ready, sir, if he recover his senses.

SCENE VII.

SIR SAMPSON, VALENTINE, SCANDAL, JEREMY.

SIR SAMP. Hold, hold, don’t you go yet.

SCAN. You’d better let him go, sir, and send for him if there be

occasion; for I fancy his presence provokes him more.

VAL. Is the lawyer gone? ’Tis well, then we may drink about without

going together by the ears—heigh ho! What a’clock is’t? My father here!

Your blessing, sir.

SIR SAMP. He recovers—bless thee, Val; how dost thou do, boy?

VAL. Thank you, sir, pretty well. I have been a little out of order,

Won’t you please to sit, sir?

SIR SAMP. Ay, boy. Come, thou shalt sit down by me.

VAL. Sir, ’tis my duty to wait.

SIR SAMP. No, no; come, come, sit thee down, honest Val. How dost thou

do? Let me feel thy pulse. Oh, pretty well now, Val. Body o’ me, I was

sorry to see thee indisposed; but I’m glad thou art better, honest Val.

VAL. I thank you, sir.

SCAN. Miracle! The monster grows loving. [_Aside_.]

SIR SAMP. Let me feel thy hand again, Val. It does not shake; I believe

thou canst write, Val. Ha, boy? thou canst write thy name, Val. Jeremy,

step and overtake Mr. Buckram, bid him make haste back with the

conveyance; quick, quick. [_In whisper to_ JEREMY.]

SCENE VIII.

SIR SAMPSON, VALENTINE, SCANDAL.

SCAN. That ever I should suspect such a heathen of any remorse!

[_Aside_.]

SIR SAMP. Dost thou know this paper, Val? I know thou’rt honest, and

wilt perform articles. [_Shows him the paper_, _but holds it out of his

reach_.]

VAL. Pray let me see it, sir. You hold it so far off that I can’t tell

whether I know it or no.

SIR SAMP. See it, boy? Ay, ay; why, thou dost see it—’tis thy own hand,

Vally. Why, let me see, I can read it as plain as can be. Look you

here. [_Reads_.] _The condition of this obligation_—Look you, as plain

as can be, so it begins—and then at the bottom—_As witness my hand_,

VALENTINE LEGEND, in great letters. Why, ’tis as plain as the nose in

one’s face. What, are my eyes better than thine? I believe I can read

it farther off yet; let me see. [_Stretches his arm as far as he can_.]

VAL. Will you please to let me hold it, sir?

SIR SAMP. Let thee hold it, sayest thou? Ay, with all my heart. What

matter is it who holds it? What need anybody hold it? I’ll put it up in

my pocket, Val, and then nobody need hold it. [_Puts the paper in his

pocket_.] There, Val; it’s safe enough, boy. But thou shalt have it as

soon as thou hast set thy hand to another paper, little Val.

SCENE IX.

[_To them_] JEREMY _with_ BUCKRAM.

VAL. What, is my bad genius here again! Oh no, ’tis the lawyer with an

itching palm; and he’s come to be scratched. My nails are not long

enough. Let me have a pair of red-hot tongs quickly, quickly, and you

shall see me act St. Dunstan, and lead the devil by the nose.

BUCK. O Lord, let me begone: I’ll not venture myself with a madman.

SCENE X.

SIR SAMPSON, VALENTINE, SCANDAL, JEREMY.

VAL. Ha, ha, ha; you need not run so fast, honesty will not overtake

you. Ha, ha, ha, the rogue found me out to be _in forma pauperis_

presently.

SIR SAMP. Oons! What a vexation is here! I know not what to do, or

say, nor which way to go.

VAL. Who’s that that’s out of his way? I am Truth, and can set him

right. Harkee, friend, the straight road is the worst way you can go.

He that follows his nose always, will very often be led into a stink.

_Probatum est_. But what are you for? religion or politics? There’s a

couple of topics for you, no more like one another than oil and vinegar;

and yet those two, beaten together by a state-cook, make sauce for the

whole nation.

SIR SAMP. What the devil had I to do, ever to beget sons? Why did I

ever marry?

VAL. Because thou wert a monster, old boy! The two greatest monsters in

the world are a man and a woman! What’s thy opinion?

SIR SAMP. Why, my opinion is, that those two monsters joined together,

make yet a greater, that’s a man and his wife.

VAL. Aha! Old True-penny, say’st thou so? Thou hast nicked it. But

it’s wonderful strange, Jeremy.

JERE. What is, sir?

VAL. That gray hairs should cover a green head—and I make a fool of my

father. What’s here! _Erra Pater_: or a bearded sibyl? If Prophecy

comes, Truth must give place.

SCENE XI.

SIR SAMPSON, SCANDAL, FORESIGHT, MISS FORESIGHT, MRS. FRAIL.

FORE. What says he? What, did he prophesy? Ha, Sir Sampson, bless us!

How are we?

SIR SAMP. Are we? A pox o’ your prognostication. Why, we are fools as

we use to be. Oons, that you could not foresee that the moon would

predominate, and my son be mad. Where’s your oppositions, your trines,

and your quadrates? What did your Cardan and your Ptolemy tell you?

Your Messahalah and your Longomontanus, your harmony of chiromancy with

astrology. Ah! pox on’t, that I that know the world and men and manners,

that don’t believe a syllable in the sky and stars, and sun and almanacs

and trash, should be directed by a dreamer, an omen-hunter, and defer

business in expectation of a lucky hour, when, body o’ me, there never

was a lucky hour after the first opportunity.

SCENE XII.

SCANDAL, FORESIGHT, MRS. FORESIGHT, MRS. FRAIL.

FORE. Ah, Sir Sampson, heav’n help your head. This is none of your

lucky hour; _Nemo omnibus horis sapit_. What, is he gone, and in

contempt of science? Ill stars and unconvertible ignorance attend him.

SCAN. You must excuse his passion, Mr. Foresight, for he has been

heartily vexed. His son is _non compos mentis_, and thereby incapable of

making any conveyance in law; so that all his measures are disappointed.

FORE. Ha! say you so?

MRS. FRAIL. What, has my sea-lover lost his anchor of hope, then?

[_Aside to_ MRS. FORESIGHT.]

MRS. FORE. O sister, what will you do with him?

MRS. FRAIL. Do with him? Send him to sea again in the next foul

weather. He’s used to an inconstant element, and won’t be surprised to

see the tide turned.

FORE. Wherein was I mistaken, not to foresee this? [_Considers_.]

SCAN. Madam, you and I can tell him something else that he did not

foresee, and more particularly relating to his own fortune. [_Aside to_

MRS. FORESIGHT.]

MRS. FORE. What do you mean? I don’t understand you.

SCAN. Hush, softly,—the pleasures of last night, my dear, too

considerable to be forgot so soon.

MRS. FORE. Last night! And what would your impudence infer from last

night? Last night was like the night before, I think.

SCAN. ’Sdeath, do you make no difference between me and your husband?

MRS. FORE. Not much,—he’s superstitious, and you are mad, in my opinion.

SCAN. You make me mad. You are not serious. Pray recollect yourself.

MRS. FORE. Oh yes, now I remember, you were very impertinent and

impudent,—and would have come to bed to me.

SCAN. And did not?

MRS. FORE. Did not! With that face can you ask the question?

SCAN. This I have heard of before, but never believed. I have been

told, she had that admirable quality of forgetting to a man’s face in the

morning that she had lain with him all night, and denying that she had

done favours with more impudence than she could grant ’em. Madam, I’m

your humble servant, and honour you.—You look pretty well, Mr. Foresight:

how did you rest last night?

FORE. Truly, Mr. Scandal, I was so taken up with broken dreams and

distracted visions that I remember little.

SCAN. ’Twas a very forgetting night. But would you not talk with

Valentine? Perhaps you may understand him; I’m apt to believe there is

something mysterious in his discourses, and sometimes rather think him

inspired than mad.

FORE. You speak with singular good judgment, Mr. Scandal, truly. I am

inclining to your Turkish opinion in this matter, and do reverence a man

whom the vulgar think mad. Let us go to him.

MRS. FRAIL. Sister, do you stay with them; I’ll find out my lover, and

give him his discharge, and come to you. O’ my conscience, here he

comes.

SCENE XIII.

MRS. FRAIL, BEN.

BEN. All mad, I think. Flesh, I believe all the calentures of the sea

are come ashore, for my part.

MRS. FRAIL. Mr. Benjamin in choler!

BEN. No, I’m pleased well enough, now I have found you. Mess, I have

had such a hurricane upon your account yonder.

MRS. FRAIL. My account; pray what’s the matter?

BEN. Why, father came and found me squabbling with yon chitty-faced

thing as he would have me marry, so he asked what was the matter. He

asked in a surly sort of a way—it seems brother Val is gone mad, and so

that put’n into a passion; but what did I know that? what’s that to

me?—so he asked in a surly sort of manner, and gad I answered ’n as

surlily. What thof he be my father, I an’t bound prentice to ’n; so

faith I told ’n in plain terms, if I were minded to marry, I’d marry to

please myself, not him. And for the young woman that he provided for me,

I thought it more fitting for her to learn her sampler and make dirt-pies

than to look after a husband; for my part I was none of her man. I had

another voyage to make, let him take it as he will.

MRS. FRAIL. So, then, you intend to go to sea again?

BEN. Nay, nay, my mind run upon you, but I would not tell him so much.

So he said he’d make my heart ache; and if so be that he could get a

woman to his mind, he’d marry himself. Gad, says I, an you play the fool

and marry at these years, there’s more danger of your head’s aching than

my heart. He was woundy angry when I gave’n that wipe. He hadn’t a word

to say, and so I left’n, and the green girl together; mayhap the bee may

bite, and he’ll marry her himself, with all my heart.

MRS. FRAIL. And were you this undutiful and graceless wretch to your

father?

BEN. Then why was he graceless first? If I am undutiful and graceless,

why did he beget me so? I did not get myself.

MRS. FRAIL. O impiety! How have I been mistaken! What an inhuman,

merciless creature have I set my heart upon? Oh, I am happy to have

discovered the shelves and quicksands that lurk beneath that faithless,

smiling face.

BEN. Hey toss! What’s the matter now? Why, you ben’t angry, be you?

MRS. FRAIL. Oh, see me no more,—for thou wert born amongst rocks,

suckled by whales, cradled in a tempest, and whistled to by winds; and

thou art come forth with fins and scales, and three rows of teeth, a most

outrageous fish of prey.

BEN. O Lord, O Lord, she’s mad, poor young woman: love has turned her

senses, her brain is quite overset. Well-a-day, how shall I do to set

her to rights?

MRS. FRAIL. No, no, I am not mad, monster; I am wise enough to find you

out. Hadst thou the impudence to aspire at being a husband with that

stubborn and disobedient temper? You that know not how to submit to a

father, presume to have a sufficient stock of duty to undergo a wife? I

should have been finely fobbed indeed, very finely fobbed.

BEN. Harkee, forsooth; if so be that you are in your right senses, d’ye

see, for ought as I perceive I’m like to be finely fobbed,—if I have got

anger here upon your account, and you are tacked about already. What

d’ye mean, after all your fair speeches, and stroking my cheeks, and

kissing and hugging, what would you sheer off so? Would you, and leave

me aground?

MRS. FRAIL. No, I’ll leave you adrift, and go which way you will.

BEN. What, are you false-hearted, then?

MRS. FRAIL. Only the wind’s changed.

BEN. More shame for you,—the wind’s changed? It’s an ill wind blows

nobody good,—mayhap I have a good riddance on you, if these be your

tricks. What, did you mean all this while to make a fool of me?

MRS. FRAIL. Any fool but a husband.

BEN. Husband! Gad, I would not be your husband if you would have me,

now I know your mind: thof you had your weight in gold and jewels, and

thof I loved you never so well.

MRS. FRAIL. Why, can’st thou love, Porpuss?

BEN. No matter what I can do; don’t call names. I don’t love you so

well as to bear that, whatever I did. I’m glad you show yourself,

mistress. Let them marry you as don’t know you. Gad, I know you too

well, by sad experience; I believe he that marries you will go to sea in

a hen-pecked frigate—I believe that, young woman—and mayhap may come to

an anchor at Cuckolds-Point; so there’s a dash for you, take it as you

will: mayhap you may holla after me when I won’t come to.

MRS. FRAIL. Ha, ha, ha, no doubt on’t.—_My true love is gone to sea_.

[_Sings_]

SCENE XIV.

MRS. FRAIL, MRS. FORESIGHT.

MRS. FRAIL. O sister, had you come a minute sooner, you would have seen

the resolution of a lover:—honest Tar and I are parted;—and with the same

indifference that we met. O’ my life I am half vexed at the

insensibility of a brute that I despised.

MRS. FORE. What then, he bore it most heroically?

MRS. FRAIL. Most tyrannically; for you see he has got the start of me,

and I, the poor forsaken maid, am left complaining on the shore. But

I’ll tell you a hint that he has given me: Sir Sampson is enraged, and

talks desperately of committing matrimony himself. If he has a mind to

throw himself away, he can’t do it more effectually than upon me, if we

could bring it about.

MRS. FORE. Oh, hang him, old fox, he’s too cunning; besides, he hates

both you and me. But I have a project in my head for you, and I have

gone a good way towards it. I have almost made a bargain with Jeremy,

Valentine’s man, to sell his master to us.

MRS. FRAIL. Sell him? How?

MRS. FORE. Valentine raves upon Angelica, and took me for her, and

Jeremy says will take anybody for her that he imposes on him. Now, I

have promised him mountains, if in one of his mad fits he will bring you

to him in her stead, and get you married together and put to bed

together; and after consummation, girl, there’s no revoking. And if he

should recover his senses, he’ll be glad at least to make you a good

settlement. Here they come: stand aside a little, and tell me how you

like the design.

SCENE XV.

MRS. FORESIGHT, MRS. FRAIL, VALENTINE, SCANDAL, FORESIGHT, _and_ JEREMY.

SCAN. And have you given your master a hint of their plot upon him?

[_To_ JEREMY.]

JERE. Yes, sir; he says he’ll favour it, and mistake her for Angelica.

SCAN. It may make us sport.

FORE. Mercy on us!

VAL. Husht—interrupt me not—I’ll whisper prediction to thee, and thou

shalt prophesy. I am Truth, and can teach thy tongue a new trick. I

have told thee what’s past,—now I’ll tell what’s to come. Dost thou know

what will happen to-morrow?—Answer me not—for I will tell thee.

To-morrow, knaves will thrive through craft, and fools through fortune,

and honesty will go as it did, frost-nipt in a summer suit. Ask me

questions concerning to-morrow.

SCAN. Ask him, Mr. Foresight.

FORE. Pray what will be done at court?

VAL. Scandal will tell you. I am Truth; I never come there.

FORE. In the city?

VAL. Oh, prayers will be said in empty churches at the usual hours. Yet

you will see such zealous faces behind counters, as if religion were to

be sold in every shop. Oh, things will go methodically in the city: the

clocks will strike twelve at noon, and the horned herd buzz in the

exchange at two. Wives and husbands will drive distinct trades, and care

and pleasure separately occupy the family. Coffee-houses will be full of

smoke and stratagem. And the cropt prentice, that sweeps his master’s

shop in the morning, may ten to one dirty his sheets before night. But

there are two things that you will see very strange: which are wanton

wives with their legs at liberty, and tame cuckolds with chains about

their necks. But hold, I must examine you before I go further. You look

suspiciously. Are you a husband?

FORE. I am married.

VAL. Poor creature! Is your wife of Covent Garden parish?

FORE. No; St. Martin’s-in-the-Fields.

VAL. Alas, poor man; his eyes are sunk, and his hands shrivelled; his

legs dwindled, and his back bowed: pray, pray, for a metamorphosis.

Change thy shape and shake off age; get thee Medea’s kettle and be boiled

anew; come forth with lab’ring callous hands, a chine of steel, and Atlas

shoulders. Let Taliacotius trim the calves of twenty chairmen, and make

thee pedestals to stand erect upon, and look matrimony in the face. Ha,

ha, ha! That a man should have a stomach to a wedding supper, when the

pigeons ought rather to be laid to his feet, ha, ha, ha!

FORE. His frenzy is very high now, Mr. Scandal.

SCAN. I believe it is a spring tide.

FORE. Very likely, truly. You understand these matters. Mr. Scandal, I

shall be very glad to confer with you about these things which he has

uttered. His sayings are very mysterious and hieroglyphical.

VAL. Oh, why would Angelica be absent from my eyes so long?

JERE. She’s here, sir.

MRS. FORE. Now, sister.

MRS. FRAIL. O Lord, what must I say?

SCAN. Humour him, madam, by all means.

VAL. Where is she? Oh, I see her—she comes, like riches, health, and

liberty at once, to a despairing, starving, and abandoned wretch. Oh,

welcome, welcome.

MRS. FRAIL. How d’ye, sir? Can I serve you?

VAL. Harkee; I have a secret to tell you: Endymion and the moon shall

meet us upon Mount Latmos, and we’ll be married in the dead of night.

But say not a word. Hymen shall put his torch into a dark lanthorn, that

it may be secret; and Juno shall give her peacock poppy-water, that he

may fold his ogling tail, and Argus’s hundred eyes be shut, ha! Nobody

shall know but Jeremy.

MRS. FRAIL. No, no, we’ll keep it secret, it shall be done presently.

VAL. The sooner the better. Jeremy, come hither—closer—that none may

overhear us. Jeremy, I can tell you news: Angelica is turned nun, and I

am turning friar, and yet we’ll marry one another in spite of the pope.

Get me a cowl and beads, that I may play my part,—for she’ll meet me two

hours hence in black and white, and a long veil to cover the project, and

we won’t see one another’s faces, till we have done something to be

ashamed of; and then we’ll blush once for all.

SCENE XVI.

[_To them_] TATTLE _and_ ANGELICA.

JERE. I’ll take care, and—

VAL. Whisper.

ANG. Nay, Mr. Tattle, if you make love to me, you spoil my design, for I

intend to make you my confidant.

TATT. But, madam, to throw away your person—such a person!—and such a

fortune on a madman!

ANG. I never loved him till he was mad; but don’t tell anybody so.

SCAN. How’s this! Tattle making love to Angelica!

TATT. Tell, madam? Alas, you don’t know me. I have much ado to tell

your ladyship how long I have been in love with you—but encouraged by the

impossibility of Valentine’s making any more addresses to you, I have

ventured to declare the very inmost passion of my heart. O madam, look

upon us both. There you see the ruins of a poor decayed creature—here, a

complete and lively figure, with youth and health, and all his five

senses in perfection, madam, and to all this, the most passionate lover—

ANG. O fie, for shame, hold your tongue. A passionate lover, and five

senses in perfection! When you are as mad as Valentine, I’ll believe you

love me, and the maddest shall take me.

VAL. It is enough. Ha! Who’s here?

FRAIL. O Lord, her coming will spoil all. [_To_ JEREMY.]

JERE. No, no, madam, he won’t know her; if he should, I can persuade

him.

VAL. Scandal, who are these? Foreigners? If they are, I’ll tell you

what I think,—get away all the company but Angelica, that I may discover

my design to her. [_Whisper_.]

SCAN. I will—I have discovered something of Tattle that is of a piece

with Mrs. Frail. He courts Angelica; if we could contrive to couple ’em

together.—Hark’ee—[_Whisper_.]

MRS. FORE. He won’t know you, cousin; he knows nobody.

FORE. But he knows more than anybody. O niece, he knows things past and

to come, and all the profound secrets of time.

TATT. Look you, Mr. Foresight, it is not my way to make many words of

matters, and so I shan’t say much,—but in short, d’ye see, I will hold

you a hundred pounds now, that I know more secrets than he.

FORE. How! I cannot read that knowledge in your face, Mr. Tattle.

Pray, what do you know?

TATT. Why, d’ye think I’ll tell you, sir? Read it in my face? No, sir,

’tis written in my heart; and safer there, sir, than letters writ in

juice of lemon, for no fire can fetch it out. I am no blab, sir.

VAL. Acquaint Jeremy with it, he may easily bring it about. They are

welcome, and I’ll tell ’em so myself. [_To_ SCANDAL.] What, do you look

strange upon me? Then I must be plain. [_Coming up to them_.] I am

Truth, and hate an old acquaintance with a new face. [SCANDAL _goes

aside with_ JEREMY.]

TATT. Do you know me, Valentine?

VAL. You? Who are you? No, I hope not.

TATT. I am Jack Tattle, your friend.

VAL. My friend, what to do? I am no married man, and thou canst not lie

with my wife. I am very poor, and thou canst not borrow money of me.

Then what employment have I for a friend?

TATT. Ha! a good open speaker, and not to be trusted with a secret.

ANG. Do you know me, Valentine?

VAL. Oh, very well.

ANG. Who am I?

VAL. You’re a woman. One to whom heav’n gave beauty, when it grafted

roses on a briar. You are the reflection of heav’n in a pond, and he

that leaps at you is sunk. You are all white, a sheet of lovely,

spotless paper, when you first are born; but you are to be scrawled and

blotted by every goose’s quill. I know you; for I loved a woman, and

loved her so long, that I found out a strange thing: I found out what a

woman was good for.

TATT. Ay, prithee, what’s that?

VAL. Why, to keep a secret.

TATT. O Lord!

VAL. Oh, exceeding good to keep a secret; for though she should tell,

yet she is not to be believed.

TATT. Hah! good again, faith.

VAL. I would have music. Sing me the song that I like.

SONG

Set by MR. FINGER.

I tell thee, Charmion, could I time retrieve,

And could again begin to love and live,

To you I should my earliest off’ring give;

I know my eyes would lead my heart to you,

And I should all my vows and oaths renew,

But to be plain, I never would be true.

II.

For by our weak and weary truth, I find,

Love hates to centre in a point assign’d?

But runs with joy the circle of the mind.

Then never let us chain what should be free,

But for relief of either sex agree,

Since women love to change, and so do we.

No more, for I am melancholy. [_Walks musing_.]

JERE. I’ll do’t, sir. [_To_ SCANDAL.]

SCAN. Mr. Foresight, we had best leave him. He may grow outrageous, and

do mischief.

FORE. I will be directed by you.

JERE. [_To_ MRS. FRAIL.] You’ll meet, madam? I’ll take care everything

shall be ready.

MRS. FRAIL. Thou shalt do what thou wilt; in short, I will deny thee

nothing.

TATT. Madam, shall I wait upon you? [_To_ ANGELICA.]

ANG. No, I’ll stay with him; Mr. Scandal will protect me. Aunt, Mr.

Tattle desires you would give him leave to wait on you.

TATT. Pox on’t, there’s no coming off, now she has said that. Madam,

will you do me the honour?

MRS. FORE. Mr. Tattle might have used less ceremony.

SCENE XVII.

ANGELICA, VALENTINE, SCANDAL.

SCAN. Jeremy, follow Tattle.

ANG. Mr. Scandal, I only stay till my maid comes, and because I had a

mind to be rid of Mr. Tattle.

SCAN. Madam, I am very glad that I overheard a better reason which you

gave to Mr. Tattle; for his impertinence forced you to acknowledge a

kindness for Valentine, which you denied to all his sufferings and my

solicitations. So I’ll leave him to make use of the discovery, and your

ladyship to the free confession of your inclinations.

ANG. O heav’ns! You won’t leave me alone with a madman?

SCAN. No, madam; I only leave a madman to his remedy.

SCENE XVIII.

ANGELICA, VALENTINE.

VAL. Madam, you need not be very much afraid, for I fancy I begin to

come to myself.

ANG. Ay, but if I don’t fit you, I’ll be hanged. [_Aside_.]

VAL. You see what disguises love makes us put on. Gods have been in

counterfeited shapes for the same reason; and the divine part of me, my

mind, has worn this mask of madness and this motley livery, only as the

slave of love and menial creature of your beauty.

ANG. Mercy on me, how he talks! Poor Valentine!

VAL. Nay, faith, now let us understand one another, hypocrisy apart.

The comedy draws toward an end, and let us think of leaving acting and be

ourselves; and since you have loved me, you must own I have at length

deserved you should confess it.

ANG. [_Sighs_.] I would I had loved you—for heav’n knows I pity you,

and could I have foreseen the bad effects, I would have striven; but

that’s too late. [_Sighs_.]

VAL. What sad effects?—what’s too late? My seeming madness has deceived

my father, and procured me time to think of means to reconcile me to him,

and preserve the right of my inheritance to his estate; which otherwise,

by articles, I must this morning have resigned. And this I had informed

you of to-day, but you were gone before I knew you had been here.

ANG. How! I thought your love of me had caused this transport in your

soul; which, it seems, you only counterfeited, for mercenary ends and

sordid interest.

VAL. Nay, now you do me wrong; for if any interest was considered it was

yours, since I thought I wanted more than love to make me worthy of you.

ANG. Then you thought me mercenary. But how am I deluded by this

interval of sense to reason with a madman?

VAL. Oh, ’tis barbarous to misunderstand me longer.

SCENE XIX.

[_To them_] JEREMY.

ANG. Oh, here’s a reasonable creature—sure he will not have the

impudence to persevere. Come, Jeremy, acknowledge your trick, and

confess your master’s madness counterfeit.

JERE. Counterfeit, madam! I’ll maintain him to be as absolutely and

substantially mad as any freeholder in Bethlehem; nay, he’s as mad as any

projector, fanatic, chymist, lover, or poet in Europe.

VAL. Sirrah, you be; I am not mad.

ANG. Ha, ha, ha! you see he denies it.

JERE. O Lord, madam, did you ever know any madman mad enough to own it?

VAL. Sot, can’t you apprehend?

ANG. Why, he talked very sensibly just now.

JERE. Yes, madam; he has intervals. But you see he begins to look wild

again now.

VAL. Why, you thick-skulled rascal, I tell you the farce is done, and I

will be mad no longer. [_Beats him_.]

ANG. Ha, ha, ha! is he mad or no, Jeremy?

JERE. Partly, I think,—for he does not know his own mind two hours. I’m

sure I left him just now in the humour to be mad, and I think I have not

found him very quiet at this present. Who’s there? [_One knocks_.]

VAL. Go see, you sot.—I’m very glad that I can move your mirth though

not your compassion.

ANG. I did not think you had apprehension enough to be exceptions. But

madmen show themselves most by over-pretending to a sound understanding,

as drunken men do by over-acting sobriety. I was half inclining to

believe you, till I accidently touched upon your tender part: but now you

have restored me to my former opinion and compassion.

JERE. Sir, your father has sent to know if you are any better yet. Will

you please to be mad, sir, or how?

VAL. Stupidity! You know the penalty of all I’m worth must pay for the

confession of my senses; I’m mad, and will be mad to everybody but this

lady.

JERE. So—just the very backside of truth,—but lying is a figure in

speech that interlards the greatest part of my conversation. Madam, your

ladyship’s woman.

SCENE XX.

VALENTINE, ANGELICA, JENNY.

ANG. Well, have you been there?—Come hither.

JENNY. Yes, madam; Sir Sampson will wait upon you presently. [_Aside

to_ ANGELICA.]

VAL. You are not leaving me in this uncertainty?

ANG. Would anything but a madman complain of uncertainty? Uncertainty

and expectation are the joys of life. Security is an insipid thing, and

the overtaking and possessing of a wish discovers the folly of the chase.

Never let us know one another better, for the pleasure of a masquerade is

done when we come to show our faces; but I’ll tell you two things before

I leave you: I am not the fool you take me for; and you are mad and don’t

know it.

SCENE XXI.

VALENTINE, JEREMY.

VAL. From a riddle you can expect nothing but a riddle. There’s my

instruction and the moral of my lesson.

JERE. What, is the lady gone again, sir? I hope you understood one

another before she went?

VAL. Understood! She is harder to be understood than a piece of

Egyptian antiquity or an Irish manuscript: you may pore till you spoil

your eyes and not improve your knowledge.

JERE. I have heard ’em say, sir, they read hard Hebrew books backwards;

maybe you begin to read at the wrong end.

VAL. They say so of a witch’s prayer, and dreams and Dutch almanacs are

to be understood by contraries. But there’s regularity and method in

that; she is a medal without a reverse or inscription, for indifference

has both sides alike. Yet, while she does not seem to hate me, I will

pursue her, and know her if it be possible, in spite of the opinion of my

satirical friend, Scandal, who says—

That women are like tricks by sleight of hand,

Which, to admire, we should not understand.

ACT V.—SCENE I.

_A room in Foresight’s house_.

ANGELICA _and_ JENNY.

ANG. Where is Sir Sampson? Did you not tell me he would be here before

me?

JENNY. He’s at the great glass in the dining-room, madam, setting his

cravat and wig.

ANG. How! I’m glad on’t. If he has a mind I should like him, it’s a

sign he likes me; and that’s more than half my design.

JENNY. I hear him, madam.

ANG. Leave me; and, d’ye hear, if Valentine should come, or send, I am

not to be spoken with.

SCENE II.

ANGELICA, SIR SAMPSON.

SIR SAMP. I have not been honoured with the commands of a fair lady a

great while,—odd, madam, you have revived me,—not since I was

five-and-thirty.

ANG. Why, you have no great reason to complain, Sir Sampson, that is not

long ago.

SIR SAMP. Zooks, but it is, madam, a very great while: to a man that

admires a fine woman as much as I do.

ANG. You’re an absolute courtier, Sir Sampson.

SIR SAMP. Not at all, madam,—odsbud, you wrong me,—I am not so old

neither, to be a bare courtier, only a man of words. Odd, I have warm

blood about me yet, and can serve a lady any way. Come, come, let me

tell you, you women think a man old too soon, faith and troth you do.

Come, don’t despise fifty; odd, fifty, in a hale constitution, is no such

contemptible age.

ANG. Fifty a contemptible age! Not at all; a very fashionable age, I

think. I assure you, I know very considerable beaus that set a good face

upon fifty. Fifty! I have seen fifty in a side box by candle-light

out-blossom five-and-twenty.

SIR SAMP. Outsides, outsides; a pize take ’em, mere outsides. Hang your

side-box beaus; no, I’m none of those, none of your forced trees, that

pretend to blossom in the fall, and bud when they should bring forth

fruit: I am of a long-lived race, and inherit vigour; none of my

ancestors married till fifty, yet they begot sons and daughters till

fourscore: I am of your patriarchs, I, a branch of one of your

antedeluvian families, fellows that the flood could not wash away. Well,

madam, what are your commands? Has any young rogue affronted you, and

shall I cut his throat? Or—

ANG. No, Sir Sampson, I have no quarrel upon my hands. I have more

occasion for your conduct than your courage at this time. To tell you

the truth, I’m weary of living single and want a husband.

SIR SAMP. Odsbud, and ’tis pity you should. Odd, would she would like

me, then I should hamper my young rogues. Odd, would she would; faith

and troth she’s devilish handsome. [_Aside_.] Madam, you deserve a good

husband, and ’twere pity you should be thrown away upon any of these

young idle rogues about the town. Odd, there’s ne’er a young fellow

worth hanging—that is a very young fellow. Pize on ’em, they never think

beforehand of anything; and if they commit matrimony, ’tis as they commit

murder, out of a frolic, and are ready to hang themselves, or to be

hanged by the law, the next morning. Odso, have a care, madam.

ANG. Therefore I ask your advice, Sir Sampson. I have fortune enough to

make any man easy that I can like: if there were such a thing as a young

agreeable man, with a reasonable stock of good nature and sense—for I

would neither have an absolute wit nor a fool.

SIR SAMP. Odd, you are hard to please, madam: to find a young fellow

that is neither a wit in his own eye, nor a fool in the eye of the world,

is a very hard task. But, faith and troth, you speak very discreetly;

for I hate both a wit and a fool.

ANG. She that marries a fool, Sir Sampson, forfeits the reputation of

her honesty or understanding; and she that marries a very witty man is a

slave to the severity and insolent conduct of her husband. I should like

a man of wit for a lover, because I would have such an one in my power;

but I would no more be his wife than his enemy. For his malice is not a

more terrible consequence of his aversion than his jealousy is of his

love.

SIR SAMP. None of old Foresight’s sibyls ever uttered such a truth.

Odsbud, you have won my heart; I hate a wit: I had a son that was spoiled

among ’em, a good hopeful lad, till he learned to be a wit; and might

have risen in the state. But, a pox on’t, his wit run him out of his

money, and now his poverty has run him out of his wits.

ANG. Sir Sampson, as your friend, I must tell you you are very much

abused in that matter: he’s no more mad than you are.

SIR SAMP. How, madam! Would I could prove it.

ANG. I can tell you how that may be done. But it is a thing that would

make me appear to be too much concerned in your affairs.

SIR SAMP. Odsbud, I believe she likes me. [_Aside_.] Ah, madam, all my

affairs are scarce worthy to be laid at your feet; and I wish, madam,

they were in a better posture, that I might make a more becoming offer to

a lady of your incomparable beauty and merit. If I had Peru in one hand,

and Mexico in t’other, and the Eastern Empire under my feet, it would

make me only a more glorious victim to be offered at the shrine of your

beauty.

ANG. Bless me, Sir Sampson, what’s the matter?

SIR SAMP. Odd, madam, I love you. And if you would take my advice in a

husband—

ANG. Hold, hold, Sir Sampson. I asked your advice for a husband, and

you are giving me your consent. I was indeed thinking to propose

something like it in jest, to satisfy you about Valentine: for if a match

were seemingly carried on between you and me, it would oblige him to

throw off his disguise of madness, in apprehension of losing me: for you

know he has long pretended a passion for me.

SIR SAMP. Gadzooks, a most ingenious contrivance—if we were to go

through with it. But why must the match only be seemingly carried on?

Odd, let it be a real contract.

ANG. Oh, fie, Sir Sampson, what would the world say?

SIR SAMP. Say? They would say you were a wise woman and I a happy man.

Odd, madam, I’ll love you as long as I live, and leave you a good

jointure when I die.

ANG. Ay; but that is not in your power, Sir Sampson: for when Valentine

confesses himself in his senses, he must make over his inheritance to his

younger brother.

SIR SAMP. Odd, you’re cunning, a wary baggage! Faith and troth, I like

you the better. But, I warrant you, I have a proviso in the obligation

in favour of myself. Body o’ me, I have a trick to turn the settlement

upon the issue male of our two bodies begotten. Odsbud, let us find

children and I’ll find an estate!

ANG. Will you? Well, do you find the estate and leave t’other to me.

SIR SAMP. O rogue! But I’ll trust you. And will you consent? Is it a

match then?

ANG. Let me consult my lawyer concerning this obligation, and if I find

what you propose practicable, I’ll give you my answer.

SIR SAMP. With all my heart: come in with me, and I’ll lend you the

bond. You shall consult your lawyer, and I’ll consult a parson.

Odzooks, I’m a young man—odzooks, I’m a young man, and I’ll make it

appear,—odd, you’re devilish handsome. Faith and troth, you’re very

handsome, and I’m very young and very lusty. Odsbud, hussy, you know how

to choose, and so do I. Odd, I think we are very well met. Give me your

hand, odd, let me kiss it; ’tis as warm and as soft—as what? Odd, as

t’other hand—give me t’other hand, and I’ll mumble ’em and kiss ’em till

they melt in my mouth.

ANG. Hold, Sir Sampson. You’re profuse of your vigour before your time.

You’ll spend your estate before you come to it.

SIR SAMP. No, no, only give you a rent-roll of my possessions. Ah,

baggage, I warrant you for little Sampson. Odd, Sampson’s a very good

name for an able fellow: your Sampsons were strong dogs from the

beginning.

ANG. Have a care and don’t over-act your part. If you remember,

Sampson, the strongest of the name, pulled an old house over his head at

last.

SIR SAMP. Say you so, hussy? Come, let’s go then; odd, I long to be

pulling too; come away. Odso, here’s somebody coming.

SCENE III.

TATTLE, JEREMY.

TATT. Is not that she gone out just now?

JERE. Ay, sir; she’s just going to the place of appointment. Ah, sir,

if you are not very faithful and close in this business, you’ll certainly

be the death of a person that has a most extraordinary passion for your

honour’s service.

TATT. Ay, who’s that?

JERE. Even my unworthy self, sir. Sir, I have had an appetite to be fed

with your commands a great while; and now, sir, my former master having

much troubled the fountain of his understanding, it is a very plausible

occasion for me to quench my thirst at the spring of your bounty. I

thought I could not recommend myself better to you, sir, than by the

delivery of a great beauty and fortune into your arms, whom I have heard

you sigh for.

TATT. I’ll make thy fortune; say no more. Thou art a pretty fellow, and

canst carry a message to a lady, in a pretty soft kind of phrase, and

with a good persuading accent.

JERE. Sir, I have the seeds of rhetoric and oratory in my head: I have

been at Cambridge.

TATT. Ay; ’tis well enough for a servant to be bred at an university:

but the education is a little too pedantic for a gentleman. I hope you

are secret in your nature: private, close, ha?

JERE. Oh, sir, for that, sir, ’tis my chief talent: I’m as secret as the

head of Nilus.

TATT. Ay? Who’s he, though? A privy counsellor?

JERE. O ignorance! [_Aside_.] A cunning Egyptian, sir, that with his

arms would overrun the country, yet nobody could ever find out his

head-quarters.

TATT. Close dog! A good whoremaster, I warrant him:—the time draws

nigh, Jeremy. Angelica will be veiled like a nun, and I must be hooded

like a friar, ha, Jeremy?

JERE. Ay, sir; hooded like a hawk, to seize at first sight upon the

quarry. It is the whim of my master’s madness to be so dressed, and she

is so in love with him she’ll comply with anything to please him. Poor

lady, I’m sure she’ll have reason to pray for me, when she finds what a

happy exchange she has made, between a madman and so accomplished a

gentleman.

TATT. Ay, faith, so she will, Jeremy: you’re a good friend to her, poor

creature. I swear I do it hardly so much in consideration of myself as

compassion to her.

JERE. ’Tis an act of charity, sir, to save a fine woman with thirty

thousand pound from throwing herself away.

TATT. So ’tis, faith; I might have saved several others in my time, but,

i’gad, I could never find in my heart to marry anybody before.

JERE. Well, sir, I’ll go and tell her my master’s coming, and meet you

in half a quarter of an hour with your disguise at your own lodgings.

You must talk a little madly: she won’t distinguish the tone of your

voice.

TATT. No, no; let me alone for a counterfeit. I’ll be ready for you.

SCENE IV.

TATTLE, MISS PRUE.

MISS. O Mr. Tattle, are you here? I’m glad I have found you; I have

been looking up and down for you like anything, till I’m as tired as

anything in the world.

TATT. Oh, pox, how shall I get rid of this foolish girl? [_Aside_.]

MISS. Oh, I have pure news, I can tell you, pure news. I must not marry

the seaman now—my father says so. Why won’t you be my husband? You say

you love me, and you won’t be my husband. And I know you may be my

husband now, if you please.

TATT. Oh, fie, miss; who told you so, child?

MISS. Why, my father. I told him that you loved me.

TATT. Oh, fie, miss; why did you do so? And who told you so, child?

MISS. Who? Why, you did; did not you?

TATT. Oh, pox, that was yesterday, miss, that was a great while ago,

child. I have been asleep since; slept a whole night, and did not so

much as dream of the matter.

MISS. Pshaw—oh, but I dreamt that it was so, though.

TATT. Ay, but your father will tell you that dreams come by contraries,

child. Oh, fie; what, we must not love one another now. Pshaw, that

would be a foolish thing indeed. Fie, fie, you’re a woman now, and must

think of a new man every morning and forget him every night. No, no, to

marry is to be a child again, and play with the same rattle always. Oh,

fie, marrying is a paw thing.

MISS. Well, but don’t you love me as well as you did last night then?

TATT. No, no, child, you would not have me.

MISS. No? Yes, but I would, though.

TATT. Pshaw, but I tell you you would not. You forget you’re a woman

and don’t know your own mind.

MISS. But here’s my father, and he knows my mind.

SCENE V.

[_To them_] FORESIGHT.

FORE. O Mr. Tattle, your servant, you are a close man; but methinks your

love to my daughter was a secret I might have been trusted with. Or had

you a mind to try if I could discover it by my art? Hum, ha! I think

there is something in your physiognomy that has a resemblance of her; and

the girl is like me.

TATT. And so you would infer that you and I are alike? What does the

old prig mean? I’ll banter him, and laugh at him, and leave him.

[_Aside_.] I fancy you have a wrong notion of faces.

FORE. How? What? A wrong notion? How so?

TATT. In the way of art: I have some taking features, not obvious to

vulgar eyes, that are indications of a sudden turn of good fortune in the

lottery of wives, and promise a great beauty and great fortune reserved

alone for me, by a private intrigue of destiny, kept secret from the

piercing eye of perspicuity, from all astrologers, and the stars

themselves.

FORE. How! I will make it appear that what you say is impossible.

TATT. Sir, I beg your pardon, I’m in haste—

FORE. For what?

TATT. To be married, sir, married.

FORE. Ay, but pray take me along with you, sir—

TATT. No, sir; ’tis to be done privately. I never make confidants.

FORE. Well, but my consent, I mean. You won’t marry my daughter without

my consent?

TATT. Who? I, sir? I’m an absolute stranger to you and your daughter,

sir.

FORE. Hey day! What time of the moon is this?

TATT. Very true, sir, and desire to continue so. I have no more love

for your daughter than I have likeness of you, and I have a secret in my

heart which you would be glad to know and shan’t know, and yet you shall

know it, too, and be sorry for’t afterwards. I’d have you to know, sir,

that I am as knowing as the stars, and as secret as the night. And I’m

going to be married just now, yet did not know of it half an hour ago;

and the lady stays for me, and does not know of it yet. There’s a

mystery for you: I know you love to untie difficulties. Or, if you can’t

solve this, stay here a quarter of an hour, and I’ll come and explain it

to you.

SCENE VI.

FORESIGHT, MISS PRUE.

MISS. O father, why will you let him go? Won’t you make him to be my

husband?

FORE. Mercy on us, what do these lunacies portend? Alas! he’s mad,

child, stark wild.

MISS. What, and must not I have e’er a husband, then? What, must I go

to bed to nurse again, and be a child as long as she’s an old woman?

Indeed but I won’t. For now my mind is set upon a man, I will have a man

some way or other. Oh, methinks I’m sick when I think of a man; and if I

can’t have one, I would go to sleep all my life: for when I’m awake it

makes me wish and long, and I don’t know for what. And I’d rather be

always asleep than sick with thinking.

FORE. Oh, fearful! I think the girl’s influenced too. Hussy, you shall

have a rod.

MISS. A fiddle of a rod, I’ll have a husband; and if you won’t get me

one, I’ll get one for myself. I’ll marry our Robin the butler; he says

he loves me, and he’s a handsome man, and shall be my husband: I warrant

he’ll be my husband, and thank me too, for he told me so.

SCENE VII.

[_To them_] SCANDAL, MRS. FORESIGHT, _and_ NURSE.

FORE. Did he so? I’ll dispatch him for’t presently. Rogue! O nurse,

come hither.

NURSE. What is your worship’s pleasure?

FORE. Here, take your young mistress and lock her up presently, till

farther orders from me. Not a word, Hussy; do what I bid you, no reply,

away. And bid Robin make ready to give an account of his plate and

linen, d’ye hear: begone when I bid you.

MRS. FORE. What’s the matter, husband?

FORE. ’Tis not convenient to tell you now. Mr. Scandal, heav’n keep us

all in our senses—I fear there is a contagious frenzy abroad. How does

Valentine?

SCAN. Oh, I hope he will do well again. I have a message from him to

your niece Angelica.

FORE. I think she has not returned since she went abroad with Sir

Sampson. Nurse, why are you not gone?

SCENE VIII.

FORESIGHT, SCANDAL, MRS. FORESIGHT, BEN.

MRS. FORE. Here’s Mr. Benjamin, he can tell us if his father be come

home.

BEN. Who? Father? Ay, he’s come home with a vengeance.

MRS. FORE. Why, what’s the matter?

BEN. Matter! Why, he’s mad.

FORE. Mercy on us, I was afraid of this. And there’s the handsome young

woman, she, as they say, brother Val went mad for, she’s mad too, I

think.

FORE. Oh, my poor niece, my poor niece, is she gone too? Well, I shall

run mad next.

MRS. FORE. Well, but how mad? How d’ye mean?

BEN. Nay, I’ll give you leave to guess. I’ll undertake to make a voyage

to Antegoa—no, hold; I mayn’t say so, neither. But I’ll sail as far as

Leghorn and back again before you shall guess at the matter, and do

nothing else. Mess, you may take in all the points of the compass, and

not hit right.

MRS. FORE. Your experiment will take up a little too much time.

BEN. Why, then, I’ll tell you; there’s a new wedding upon the stocks,

and they two are a-going to be married to rights.

SCAN. Who?

BEN. Why, father and—the young woman. I can’t hit of her name.

SCAN. Angelica?

BEN. Ay, the same.

MRS. FORE. Sir Sampson and Angelica? Impossible!

BEN. That may be—but I’m sure it is as I tell you.

SCAN. ’Sdeath, it’s a jest. I can’t believe it.

BEN. Look you, friend, it’s nothing to me whether you believe it or no.

What I say is true, d’ye see, they are married, or just going to be

married, I know not which.

FORE. Well, but they are not mad, that is, not lunatic?

BEN. I don’t know what you may call madness. But she’s mad for a

husband, and he’s horn mad, I think, or they’d ne’er make a match

together. Here they come.

SCENE IX.

[_To them_] SIR SAMPSON, ANGELICA, BUCKRAM.

SIR SAMP. Where is this old soothsayer, this uncle of mine elect? Aha,

old Foresight, Uncle Foresight, wish me joy, Uncle Foresight, double joy,

both as uncle and astrologer; here’s a conjunction that was not foretold

in all your Ephemeris. The brightest star in the blue firmament—_is shot

from above_, _in a jelly of love_, and so forth; and I’m lord of the

ascendant. Odd, you’re an old fellow, Foresight; uncle, I mean, a very

old fellow, Uncle Foresight: and yet you shall live to dance at my

wedding; faith and troth, you shall. Odd, we’ll have the music of the

sphere’s for thee, old Lilly, that we will, and thou shalt lead up a

dance in Via Lactea.

FORE. I’m thunderstruck! You are not married to my niece?

SIR SAMP. Not absolutely married, uncle; but very near it, within a kiss

of the matter, as you see. [_Kisses_ ANGELICA.]

ANG. ’Tis very true, indeed, uncle. I hope you’ll be my father, and

give me.

SIR SAMP. That he shall, or I’ll burn his globes. Body o’ me, he shall

be thy father, I’ll make him thy father, and thou shalt make me a father,

and I’ll make thee a mother, and we’ll beget sons and daughters enough to

put the weekly bills out of countenance.

SCAN. Death and hell! Where’s Valentine?

SCENE X.

SIR SAMPSON, ANGELICA, FORESIGHT, MRS. FORESIGHT, BEN, BUCKRAM.

MRS. FORE. This is so surprising.

SIR SAMP. How! What does my aunt say? Surprising, aunt? Not at all

for a young couple to make a match in winter: not at all. It’s a plot to

undermine cold weather, and destroy that usurper of a bed called a

warming-pan.

MRS. FORE. I’m glad to hear you have so much fire in you, Sir Sampson.

BEN. Mess, I fear his fire’s little better than tinder; mayhap it will

only serve to light up a match for somebody else. The young woman’s a

handsome young woman, I can’t deny it: but, father, if I might be your

pilot in this case, you should not marry her. It’s just the same thing

as if so be you should sail so far as the Straits without provision.

SIR SAMP. Who gave you authority to speak, sirrah? To your element,

fish, be mute, fish, and to sea, rule your helm, sirrah, don’t direct me.

BEN. Well, well, take you care of your own helm, or you mayn’t keep your

new vessel steady.

SIR SAMP. Why, you impudent tarpaulin! Sirrah, do you bring your

forecastle jests upon your father? But I shall be even with you, I won’t

give you a groat. Mr. Buckram, is the conveyance so worded that nothing

can possibly descend to this scoundrel? I would not so much as have him

have the prospect of an estate, though there were no way to come to it,

but by the North-East Passage.

BUCK. Sir, it is drawn according to your directions; there is not the

least cranny of the law unstopt.

BEN. Lawyer, I believe there’s many a cranny and leak unstopt in your

conscience. If so be that one had a pump to your bosom, I believe we

should discover a foul hold. They say a witch will sail in a sieve: but

I believe the devil would not venture aboard o’ your conscience. And

that’s for you.

SIR SAMP. Hold your tongue, sirrah. How now, who’s here?

SCENE XI.

[_To them_] TATTLE _and_ MRS. FRAIL.

MRS. FRAIL. O sister, the most unlucky accident.

MRS. FORE. What’s the matter?

TATT. Oh, the two most unfortunate poor creatures in the world we are.

FORE. Bless us! How so?

MRS. FRAIL. Ah, Mr. Tattle and I, poor Mr. Tattle and I are—I can’t

speak it out.

TATT. Nor I. But poor Mrs. Frail and I are—

MRS. FRAIL. Married.

MRS. FORE. Married! How?

TATT. Suddenly—before we knew where we were—that villain Jeremy, by the

help of disguises, tricked us into one another.

FORE. Why, you told me just now you went hence in haste to be married.

ANG. But I believe Mr. Tattle meant the favour to me: I thank him.

TATT. I did, as I hope to be saved, madam; my intentions were good. But

this is the most cruel thing, to marry one does not know how, nor why,

nor wherefore. The devil take me if ever I was so much concerned at

anything in my life.

ANG. ’Tis very unhappy, if you don’t care for one another.

TATT. The least in the world—that is for my part: I speak for myself.

Gad, I never had the least thought of serious kindness.—I never liked

anybody less in my life. Poor woman! Gad, I’m sorry for her too, for I

have no reason to hate her neither; but I believe I shall lead her a

damned sort of a life.

MRS. FORE. He’s better than no husband at all—though he’s a coxcomb.

[_To_ FRAIL.]

MRS. FRAIL [_to her_]. Ay, ay, it’s well it’s no worse.—Nay, for my part

I always despised Mr. Tattle of all things; nothing but his being my

husband could have made me like him less.

TATT. Look you there, I thought as much. Pox on’t, I wish we could keep

it secret; why, I don’t believe any of this company would speak of it.

MRS. FRAIL. But, my dear, that’s impossible: the parson and that rogue

Jeremy will publish it.

TATT. Ay, my dear, so they will, as you say.

ANG. Oh, you’ll agree very well in a little time; custom will make it

easy to you.

TATT. Easy! Pox on’t, I don’t believe I shall sleep to-night.

SIR SAMP. Sleep, quotha! No; why, you would not sleep o’ your

wedding-night? I’m an older fellow than you, and don’t mean to sleep.

BEN. Why, there’s another match now, as thof a couple of privateers were

looking for a prize and should fall foul of one another. I’m sorry for

the young man with all my heart. Look you, friend, if I may advise you,

when she’s going—for that you must expect, I have experience of her—when

she’s going, let her go. For no matrimony is tough enough to hold her;

and if she can’t drag her anchor along with her, she’ll break her cable,

I can tell you that. Who’s here? The madman?

SCENE _the Last_.

VALENTINE, SCANDAL, SIR SAMPSON, ANGELICA, FORESIGHT, MRS. FORESIGHT,

TATTLE, MRS. FRAIL, BEN, JEREMY, BUCKRAM.

VAL. No; here’s the fool, and if occasion be, I’ll give it under my

hand.

SIR SAMP. How now?

VAL. Sir, I’m come to acknowledge my errors, and ask your pardon.

SIR SAMP. What, have you found your senses at last then? In good time,

sir.

VAL. You were abused, sir: I never was distracted.

FORE. How! Not mad! Mr. Scandal—

SCAN. No, really, sir. I’m his witness; it was all counterfeit.

VAL. I thought I had reasons—but it was a poor contrivance, the effect

has shown it such.

SIR SAMP. Contrivance! What, to cheat me? to cheat your father?

Sirrah, could you hope to prosper?

VAL. Indeed, I thought, sir, when the father endeavoured to undo the

son, it was a reasonable return of nature.

SIR SAMP. Very good, sir. Mr. Buckram, are you ready? Come, sir, will

you sign and seal?

VAL. If you please, sir; but first I would ask this lady one question.

SIR SAMP. Sir, you must ask me leave first. That lady? No, sir, you

shall ask that lady no questions till you have asked her blessing, sir:

that lady is to be my wife.

VAL. I have heard as much, sir; but I would have it from her own mouth.

SIR SAMP. That’s as much as to say I lie, sir, and you don’t believe

what I say.

VAL. Pardon me, sir. But I reflect that I very lately counterfeited

madness; I don’t know but the frolic may go round.

SIR SAMP. Come, chuck, satisfy him, answer him. Come, come, Mr.

Buckram, the pen and ink.

BUCK. Here it is, sir, with the deed; all is ready. [VALENTINE _goes

to_ ANGELICA.]

ANG. ’Tis true, you have a great while pretended love to me; nay, what

if you were sincere? Still you must pardon me if I think my own

inclinations have a better right to dispose of my person than yours.

SIR SAMP. Are you answered now, sir?

VAL. Yes, sir.

SIR SAMP. Where’s your plot, sir? and your contrivance now, sir? Will

you sign, sir? Come, will you sign and seal?

VAL. With all my heart, sir.

SCAN. ’Sdeath, you are not mad indeed, to ruin yourself?

VAL. I have been disappointed of my only hope, and he that loses hope

may part with anything. I never valued fortune but as it was subservient

to my pleasure, and my only pleasure was to please this lady. I have

made many vain attempts, and find at last that nothing but my ruin can

effect it; which, for that reason, I will sign to—give me the paper.

ANG. Generous Valentine! [_Aside_.]

BUCK. Here is the deed, sir.

VAL. But where is the bond by which I am obliged to sign this?

BUCK. Sir Sampson, you have it.

ANG. No, I have it, and I’ll use it as I would everything that is an

enemy to Valentine. [_Tears the paper_.]

SIR SAMP. How now?

VAL. Ha!

ANG. Had I the world to give you, it could not make me worthy of so

generous and faithful a passion. Here’s my hand:—my heart was always

yours, and struggled very hard to make this utmost trial of your virtue.

[_To_ VALENTINE.]

VAL. Between pleasure and amazement I am lost. But on my knees I take

the blessing.

SIR SAMP. Oons, what is the meaning of this?

BEN. Mess, here’s the wind changed again. Father, you and I may make a

voyage together now.

ANG. Well, Sir Sampson, since I have played you a trick, I’ll advise you

how you may avoid such another. Learn to be a good father, or you’ll

never get a second wife. I always loved your son, and hated your

unforgiving nature. I was resolved to try him to the utmost; I have

tried you too, and know you both. You have not more faults than he has

virtues, and ’tis hardly more pleasure to me that I can make him and

myself happy than that I can punish you.

VAL. If my happiness could receive addition, this kind surprise would

make it double.

SIR SAMP. Oons, you’re a crocodile.

FORE. Really, Sir Sampson, this is a sudden eclipse.

SIR SAMP. You’re an illiterate old fool, and I’m another.

TATT. If the gentleman is in disorder for want of a wife, I can spare

him mine.—Oh, are you there, sir? I’m indebted to you for my happiness.

[_To_ JEREMY.]

JERE. Sir, I ask you ten thousand pardons: ’twas an errant mistake. You

see, sir, my master was never mad, nor anything like it. Then how could

it be otherwise?

VAL. Tattle, I thank you; you would have interposed between me and

heaven, but Providence laid purgatory in your way. You have but justice.

SCAN. I hear the fiddles that Sir Sampson provided for his own wedding;

methinks ’tis pity they should not be employed when the match is so much

mended. Valentine, though it be morning, we may have a dance.

VAL. Anything, my friend, everything that looks like joy and transport.

SCAN. Call ’em, Jeremy.

ANG. I have done dissembling now, Valentine; and if that coldness which

I have always worn before you should turn to an extreme fondness, you

must not suspect it.

VAL. I’ll prevent that suspicion: for I intend to dote to that

immoderate degree that your fondness shall never distinguish itself

enough to be taken notice of. If ever you seem to love too much, it must

be only when I can’t love enough.

ANG. Have a care of promises; you know you are apt to run more in debt

than you are able to pay.

VAL. Therefore I yield my body as your prisoner, and make your best

on’t.

SCAN. The music stays for you. [_Dance_.]

SCAN. Well, madam, you have done exemplary justice in punishing an

inhuman father and rewarding a faithful lover. But there is a third good

work which I, in particular, must thank you for: I was an infidel to your

sex, and you have converted me. For now I am convinced that all women

are not like fortune, blind in bestowing favours, either on those who do

not merit or who do not want ’em.

ANG. ’Tis an unreasonable accusation that you lay upon our sex: you tax

us with injustice, only to cover your own want of merit. You would all

have the reward of love, but few have the constancy to stay till it

becomes your due. Men are generally hypocrites and infidels: they

pretend to worship, but have neither zeal nor faith. How few, like

Valentine, would persevere even to martyrdom, and sacrifice their

interest to their constancy! In admiring me, you misplace the novelty.

The miracle to-day is, that we find

A lover true; not that a woman’s kind.